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The Last Ten Movies I Saw

1. The Passion of Joan of Arc (Dreyer)
2. Our Hospitality (Keaton)
3. You Were Never Really Here (Ramsay)
4. Love Affair (McCarey)
5. Mercy’s Girl (Lape)
6. Support the Girls (Bujalski)
7. Zama (Martel)
8. In a Moment (Puehler)
9. A Matter of Life and Death (Powell/Pressburger)
10. Kiki’s Delivery Service (Miyazaki)

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Casey Puccini’s I DON’T CARE

The following review of Casey Puccini’s I Don’t Care appeared at Time Out Chicago today. 

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I Don’t Care, the sophomore feature of Chicago filmmaker Casey Puccini (Children Without Parents), will receive its local premiere at Chicago Filmmakers this Saturday, August 25. It’s a sharply made, acerbic comedy chronicling a pretentious filmmaker (played by Puccini himself in a performance that impresses for its stubborn refusal to elicit viewer sympathy) whose most recent micro-budget opus spirals out of control due to a combination of his own incompetence and unexamined hubris. Puccini has described the movie as not strictly autobiographical although, given that he’s also calling it a “cautionary tale,” it seems likely that both the central character and basic scenario arose from imagining his life having gone down a darker path.

If the selfish fictional character of “Casey Puccini” were the whole show, I Don’t Care might risk being a too-bitter pill to swallow. Fortunately, Puccini had the good sense to cast the soulful, Jeff-award winning actress Sasha Gioppo opposite him (as an actress named, you guessed it, Sasha), and much of this modest film’s comedic power results from waiting for her character—initially good-natured but unpaid and underfed—to crack under the guidance of her ungrateful and indecisive “auteur.” The tension between the two reaches a boiling point in this modest movie’s best scene, where a paranoid Gioppo accuses Puccini of stealing her necklace during the course of a particularly stressful shooting day. It’s a mini-masterpiece of cringe humor that should resonate with anyone familiar with the sometimes-harrowing process of artistic collaboration.

For more information about the Chicago Premiere of I Don’t Care visit the Chicago Filmmakers website.


Talking RENDEZVOUS IN CHICAGO on Playtime with Bill and Kerri

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I will be on the Playtime with Bill and Kerri radio show this Sunday from 1-3pm to talk all about my forthcoming feature RENDEZVOUS IN CHICAGO. Playtime with Bill and Kerri is a fantastic show dedicated solely to the arts and I cannot wait to discuss my film with the witty and erudite hosts! Also, I MAY just drop some info about some early RENDEZVOUS screenings… If you’re in Chicago, you can tune in and listen live at WCGO (that’s 1590AM on your radio dial). This should be the first of many media appearances about the film!

*UPDATE* – You can watch a Facebook Live video of the interview here (segment begins at 29:30).


Spike Lee’s BLACKkKLANSMAN

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Spike Lee’s galvanizing new comedy/drama BlacKkKlansman will be released in theaters this Friday, August 10, one year to the day after the notorious “Unite the Right” rally in Charlottesville, Viriginia became the site of violent clashes including a car attack that left one counter-protester dead. The release date is no coincidence: although the film is set in 1970s Colorado Springs, Colorado, one of its implicit aims is to use the incredible true story of a black undercover police officer’s successful infiltration of the Ku Klux Klan in order to examine America’s current cultural climate. The title cop, Ron Stallworth (played by newcomer John David Washington, Denzel’s son, in a charismatic, understated performance), communicated with the Klan via telephone then, taking a page from the Cyrano de Bergerac playbook, sent a white officer (Adam Driver, also wonderful) in his stead for face-to-face meetings. Bridging this era with the present is David Duke (Topher Grace), the KKK’s Grand Wizard who updated and sanitized the image of white nationalism, arguably paving the way for the racist hate-mongering that has characterized Donald Trump’s presidency. In telling this remarkable tale, Spike Lee has made his most vital narrative feature in decades and is deservedly receiving his widest theatrical distribution since Inside Man in 2006.

In spite of the seriousness of the subject matter, however, BlacKkKlansman is frequently hilarious as satire (especially the scenes involving Stallworth’s phone conversations with Duke). While Lee’s previous work has frequently been both sloppy and didactic, he’s able to pull off crazy tonal shifts here that are both complex and masterful – most notably in a startling coda using contemporary documentary footage that will undoubtedly be much talked about. BlacKkKlansman is also surprisingly taut as a genre piece; it’s a buddy cop film that nods to classic blaxploitation films from the era in which it’s set. The way it uses genre tropes to comment on social issues has caused some critics to compare it to Jordan Peele’s Get Out and Boots Riley’s Sorry to Bother You (which accomplished similar things with the horror and sci-fi genres, respectively). But the provocative way Lee superimposes the present onto the past ultimately put me in the mind of John Ford’s Young Mr. Lincoln more than any other movie: just as Ford’s myth-making about a canny young lawyer from Springfield, Illinois achieves a sublime poignancy because of the viewer’s knowledge of who Abe Lincoln will become in the future, so too does Lee achieve an ironic and tragic grandeur because of the viewer’s knowledge of what will happen to the whole damn United States of America after Stallworth’s assignment has ended. To paraphrase something Woodrow Wilson reportedly said about D.W. Griffith’s The Birth of a Nation (itself a major reference point in BlacKkKlansman), Lee’s essential new film is history written with lightning.

To find theaters screening the film, ticket info and showtimes, visit BlacKkKlansman’s official website.


The Last Ten Movies I Saw

1. Sure Fire (Jost)
2. The 15:17 to Paris (Eastwood)
3. The Birdcage (Nichols)
4. I Don’t Care (Puccini)
5. Creepshow (Romero)
6. The Devil is a Woman (Von Sternberg)
7. The Scarlet Empress (Von Sternberg)
8. Blonde Venus (Von Sternberg)
9. BlacKkKlansman (Lee)
10. Safety Last! (Newmeyer/Taylor)


My Student Tomato-meter: 2018 Edition

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The Fall semester is about to began, which means it’s that time of year when I post my updated “student tomato-meter” showing the aggregated results of the ratings — on a scale from one-to-10 — that my students have given to every movie I’ve shown in my film studies classes dating back to the Spring 2009 semester. I’ve now taught 110 classes and shown a total of 479 unique movies. Below is a list of all the films I’ve screened to date, presented in chronological order by release date, along with the average ratings given by my students. Below that I’ve also included a list of the top 10 highest-rated films. My goal as a teacher is to show at least one movie by every great director who ever lived. Please scan the list below and feel free tell me in the comments section who you think I might be missing.

Les Vampires (Feuillade, France, 1915-1916) –  7.0
Sherlock Holmes (Berthelet, USA, 1915) – 4.3
Broken Blossosms (Griffith, USA, 1919) – 5.9
Within Our Gates (Micheaux, USA, 1920) – 6.9
The Golem (Wegener/Bose, Germany, 1920) – 6.0
The Phantom Carriage (Sjostrom, Sweden, 1921) – 7.4
Nosferatu (Murnau, Germany, 1922) – 6.7
Safety Last! (Newmeyer/Taylor, USA, 1923) – 8.4
Our Hospitality (Keaton, USA, 1923) – 8.4
Greed (Von Stroheim, USA, 1923
Coeur Fidele (Epstein, France, 1923)
Sherlock Jr. (Keaton, USA, 1924)
The Hands of Orlac (Wiene, Germany, 1924) – 6.2
Waxworks (Leni, Germany, 1924) – 5.1
The Freshman (Newmeyer/Taylor, 1925) – 8.3
Seven Chances (Keaton, USA, 1925) – 8.2
The Gold Rush (Chaplin, USA, 1925) – 8.1
The Navigator (Keaton, USA, 1925) – 8.1
The Last Laugh (Murnau, Germany, 1925) – 6.6
Battleship Potemkin (Eisenstein, Russia, 1925) – 5.1
The General (Keaton, USA, 1926) – 8.4
Faust (Murnau, Germany, 1926) – 6.9
Secrets of a Soul (Pabst, Germany, 1926) – 6.6
Sunrise (Murnau, USA, 1927) – 6.9
Metropolis (Lang, Germany, 1927) – 6.6
Hindle Wakes (Elvey, UK, 1927) – 6.6
The End of St. Petersburg (Pudovkin, Soviet Union, 1927) – 5.0
The Fall of the Romanov Dynasty (Shub, Soviet Union, 1927) – 4.0
The Docks of New York (Von Sternberg, USA, 1928) – 8.4
Speedy (Wilde, USA, 1928) – 7.5
The Crowd (Vidor, USA, 1928) – 7.4
The Passion of Joan of Arc (Dreyer, France, 1928) – 6.9
Lonesome (Fejos, USA, 1928) – 6.7
A Cottage on Dartmoor (Asquith, UK, 1929) – 8.3
Lucky Star (Borzage, USA, 1929) – 8.1
Asphalt (May, Germany, 1929) – 6.8
Man with the Movie Camera (Vertov, Soviet Union, 1929) – 6.2
City Girl (Murnau, USA, 1930) – 6.7
L’age D’or (Bunuel, France, 1930) – 6.6
Earth (Dovzhenko, Soviet Union, 1930) – 3.6
People on Sunday (Siodmak/Ulmer, Germany, 1930) – 5.2
City Lights (Chaplin, USA, 1931) – 8.4
M (Lang, Germany, USA, 1931) – 8.1
Madchen in Uniform (Sagan/Froelich, Germany, 1931) – 7.1
Freaks (Browning, USA, 1932) – 7.1
Vampyr (Dreyer, Denmark/Germany, 1932) – 6.9
The Testament of Dr. Mabuse (Lang, Germany, 1933)
Duck Soup (McCarey, USA, 1933) – 6.8
It Happened One Night (Capra, USA, 1934) – 8.5
The Goddess (Wu, China, 1934) – 7.6
L’atalante (Vigo, France, 1934) – 6.8
Top Hat (Sandrich, USA, 1935) – 8.6
My Man Godfrey (La Cava, USA, 1936) – 8.5
Modern Times (Chaplin, USA, 1936) – 8.0
Redes (Muriel/Zinneman, Mexico, 1936) – 6.9
The Awful Truth (McCarey, USA, 1937) – 8.4
Grand Illusion (Renoir, France, 1937) – 7.0
Bringing Up Baby (Hawks, USA, 1938) – 8.2
Holiday (Cukor, USA, 1938) – 7.9
Alexander Nevsky (Eisenstein, Soviet Union, 1938) – 5.0
The Lady Vanishes (Hitchcock, UK, 1938) – 8.1
Midnight (Leisen, USA, 1939) – 8.7
Only Angels Have Wings (Hawks, USA, 1939) – 8.2
The Roaring Twenties (Walsh, USA, 1939) – 8.2
Stagecoach (Ford, USA, 1939) – 7.7
The Rules of the Game (Renoir, France, 1939) – 7.0
His Girl Friday (Hawks, USA, 1940) – 7.9
The Grapes of Wrath (Ford, USA, 1940) – 7.9
The Shop Around the Corner (Lubitsch, USA, 1940) – 7.4
The Lady Eve (Sturges, USA, 1941) – 8.2
Citizen Kane (Welles, USA, 1941) – 8.1
How Green Was My Valley (Ford, USA, 1941) – 7.8
The Strawberry Blonde (Walsh, USA, 1941) – 7.6
The Maltese Falcon (Huston, USA, 1941) – 6.9
Casablanca (Curtiz, USA, 1942) – 8.4
The Palm Beach Story (Sturges, USA, 1942) – 7.5
Aniki Bobo (De Oliveira, Portugal, 1942) – 7.2
Cat People (Tourneur, USA< 1942) – 6.0
The More the Merrier (Stevens, USA, 1942) – 8.2
I Walked with a Zombie (Tourneur, USA, 1943) – 6.0
Ossessione (Visconti, Italy, 1943) – 5.2
Meet Me in St. Louis (Minnelli, USA, 1944) – 8.2k
Double Indemnity (Wilder, USA, 1944) – 8.1
The Miracle of Morgan’s Creek (Sturges, 1944) – 8.0
To Have and Have Not (Hawks, USA, 1944) – 7.5
Murder My Sweet (Dmytryk, USA, 1944) – 7.0
Brief Encounter (Lean, UK, 1945) – 7.9
Detour (Ulmer, USA, 1945) – 7.4
Rome, Open City (Rossellini, Italy, 1945) – 7.2
Notorious (Hitchcock, USA, 1946) – 8.5
The Best Years of Our Lives (Wyler, USA, 1946) – 8.4
My Darling Clementine (Ford, USA, 1946) – 7.5
The Big Sleep (Hawks, USA, 1946) – 6.0
Dead Reckoning (Cromwell, USA, 1947) – 8.2
Out of the Past (Tourneur, USA, 1947) – 7.6
The Lady from Shanghai (Welles, USA, 1947) – 7.5
Body and Soul (Rossen, USA, 1947) – 7.6
Pursued (Walsh, USA, 1947) – 7.1
Black Narcissus (Powell/Pressburger, UK, 1947) – 7.1
La Perla (Fernandez, Mexico, 1947) – 6.5
Letter from an Unknown Woman (Ophuls, USA, 1948) – 8.8
Rope (Hitchcock, USA, 1948) – 8.7
The Red Shoes (Powell/Pressburger, USA, 1948) – 8.3
Bicycle Thieves (De Sica, Italy, 1948) – 7.9
Call Northside 777 (Hathaway, USA, 1948) – 7.7
Germany Year Zero (Rossellini, Italy/Germany, 1948) -7.5
Fort Apache (Ford, USA, 1948) – 7.5
Spring in a Small Town (Fei, China, 1948) – 6.7
A Letter to Three Wives (Mankiewicz, USA, 1949) – 8.4
White Heat (Walsh, USA, 1950) – 8.3
The Third Man (Reed, UK, 1949) – 8.0
Jour de Fete (Tati, France, 1949) – 7.8
Late Spring (Ozu, Japan, 1949) – 7.0
Sunset Boulevard (Wilder, USA, 1950) – 8.8
Los Olvidados (Bunuel, Mexico, 1950) – 7.6
Devil’s Doorway (Mann, USA, 1950) – 7.3
Union Station (Mate, USA, 1950) – 7.3
The African Queen (Huston, USA, 1951) – 8.3
On Dangerous Ground (Ray, USA, 1951) – 7.5
Singin’ in the Rain (Donen/Kelly, USA, 1952) – 9.0
Umberto D. (De Sica, Italy, 1952) – 6.8
The Big Heat (Lang, USA, 1953) – 8.5
Pickup on South Street (Fuller, USA 1953) – 8.2
Gentlemen Prefer Blondes (Hawks, USA, 1953) – 8.2
Mr. Hulot’s Holiday (Tati, France, 1953) – 8.1
The Band Wagon (Minnelli, USA, 1953) – 7.9
Strangers on a Train (Hitchcock, USA, 1953) – 7.8
The Hitch-Hiker (Lupino, USA, 1953) – 7.7
City That Never Sleeps (Auer, USA, 1953) – 7.4
The Naked Spur (Mann, USA, 1953) – 7.0
Tokyo Story (Ozu, Japan, 1953) – 6.7
Ugetsu (Mizoguchi, Japan, 1953) – 6.7
Rear Window (Hitchcock, USA, 1954) – 8.9
Seven Samurai (Kurosawa, Japan, 1954) – 8.3
French Cancan (Renoir, France, 1954) – 8.2
Sansho the Bailiff (Mizoguchi, Japan, 1954) – 7.0
The Night of the Hunter (Laughton, USA, 1955) – 9.1
All That Heaven Allows (Sirk, USA, 1955) – 8.0
Artists and Models (Tashlin, USA, 1955) – 7.8
Kiss Me Deadly (Aldrich, USA, 1955) – 7.2
Pather Panchali (Ray, India, 1955) – 6.4
A Man Escaped (Bresson, France, 1956) – 8.1
The Searchers (Ford, USA, 1956) – 7.4
Bigger Than Life (Ray, USA, 1956) – 6.8
Aparajito (Ray, India, 1956) – 6.6
An Affair to Remember (McCarey, USA< 1957) – 8.0
Vertigo (Hitchcock, USA, 1958) – 8.8
Some Came Running (Minnelli, USA, 1958) – 7.9
Touch of Evil (Welles, USA, 1958) – 7.6
Big Deal on Madonna Street (Monicelli, Italy, 1958) – 7.7
Cairo Station (Chahine, Egypt, 1958) – 7.0
Ashes and Diamonds (Wajda, Poland, 1958) – 7.0
Throne of Blood (Kurosawa, Japan, 1958) – 5.9
Some Like It Hot (Wilder, USA, 1959) – 9.0
Anatomy of a Murder (Preminger, USA, 1959) – 8.9
The 400 Blows (Truffaut, France, 1959) – 8.6
North By Northwest (Hitchcock, USA, 1959) – 8.7
Rio Bravo (Hawks, USA, 1959) – 8.0
Pickpocket (Bresson, France, 1959) – 7.3
Hiroshima Mon Amour (Resnais, France, 1959) – 6.8
Psycho (Hitchcock, USA, 1960) – 8.7
When a Woman Ascends the Stairs (Naruse, Japan, 1960) – 8.1
Les Bonnes Femmes (Chabrol, France, 1960) – 8.0
Breathless (Godard, France, 1960) – 7.7
Eyes Without a Face (Franju, France, 1960) – 7.7
Accatone (Pasolini, Italy, 1960) – 7.6
L’avventura (Antonioni, Italy, 1960) – 7.4
The Housemaid (Kim, S. Korea, 1960) – 7.1
Chronicle of a Summer (Rouch/Morin, France, 1961) – 6.9
Last Year at Marienbad (Resnais, France, 1961) – 6.8
Viridiana (Bunuel, Spain, 1961) – 7.4
The Ladies Man (Lewis, USA, 1962) – 8.3
The Man Who Shot Liberty Valance (Ford, USA, 1962) – 8.3
Cleo from 5 to 7 (Varda, France, 1962) – 7.5
Vivre sa Vie (Godard, France 1962) – 7.2
Le Doulos (Melville, France, 1962) – 7.1
Jules and Jim (Truffaut, France, 1962) – 5.5
Le Joli Mai (Marker, France, 1963) – 6.8
Shock Corridor (Fuller, USA, 1963) – 8.4
The Nutty Professor (Lewis, USA, 1963) – 8.4
The Executioner (Berlanga, Spain, 1963) – 8.1
Contempt (Godard, France/Italy, 1963) – 8.0
Black Sabbath (Bava, Italy, 1963) – 7.1
8 1/2 (Fellini, Italy, 1963) – 6.5
Onibaba (Shindo, Japan, 1964) – 8.0
The Umbrellas of Cherbourg (Demy, France, 1964) – 7.4
Band of Outsiders (Godard, France, 1964) – 7.4
Dry Summer (Erksan, Turkey, 1964) – 7.4
Pierrot le Fou (Godard, France, 1965) – 8.3
Repulsion (Polanski, UK, 1965) – 7.4
Mickey One (Penn, USA, 1965) – 6.7
Alphaville (Godard, USA, 1965) – 6.0
The Good, the Bad and the Ugly (Leone, Italy, 1966) – 8.8
Daisies (Chytilova, Czechoslovakia, 1966) – 7.2
Point Blank (Boorman, USA, 1966) – 7.0
The Pornographers (Imamura, Japan, 1966) – 6.9
Persona (Bergman, Sweden, 1966) – 6.4
Black Girl (Sembene, Senegal, 1967) – 8.7
The Graduate (Nichols, USA, 1967) – 8.8
The Young Girls of Rochefort (Demy, France, 1967) – 8.6
Play Time (Tati, France, 1967) – 8.2
The Firemen’s Ball (Forman, Cezchoslovakia, 1967) – 8.0
Le Samourai (Melville, France, 1967) – 7.9
Branded to Kill (Suzuki, Japan, 1967) – 7.8
Bonnie and Clyde (Penn, USA, 1967) – 7.5
Don’t Look Back (Pennebaker, USA, 1967) – 7.4
David Holzman’s Diary (McBride, USA, 1967) – 6.9
Dragon Inn (Hu, Taiwan, 1967) – 6.5
La Collectionneuse (Rohmer, France, 1967) – 7.1
Rosemary’s Baby (Polanski, USA, 1968) – 8.3
High School (Wiseman, USA, 1968) – 7.7
2001: A Space Odyssey (Kubrick, USA, 1968) – 7.6
Chronicle of Anna Magdalena Bach (Straub/Huillet, Germany, 1968) – 5.3
The Wild Bunch (Peckinpah, USA, 1969) – 8.1
My Night at Maud’s (Rohmer, France, 1969) – 7.8
Medium Cool (Wexler, USA, 1968) – 7.2
The Unfaithful Wife (Chabrol, France, 1969) – 7.9
Inquiring Nuns (Quinn, USA, 1969) – 7.2
Antonio das Mortes (Rocha, Brazil, 1969) – 5.2
The Red Circle (Melville, France, 1970) – 8.4
Le Boucher (Chabrol, France, 1970) – 7.5
Wanda (Loden, USA, 1970) – 5.8
The Emigrants (Troell, Sweden, 1971) – 8.8
A New Leaf (May, USA, 1971) – 8.2
Two-Lane Blacktop (Hellman, USA, 1971) – 7.7
McCabe and Mrs. Miller (Altman, USA, 1971) – 6.9
Minnie and Moskowitz (Cassavetes, USA, 1971) – 5.2
The New Land (Troell, Sweden, 1972) – 8.8
Love in the Afternoon (Rohmer, France, 1972) – 7.8
Solaris (Tarkovsky, Russia, 1972) – 6.9
The Godfather (Coppola, USA, 1972) – 9.4
The Exorcist (Friedkin, USA, 1973) – 8.1
The Long Goodbye (Altman, USA, 1973) – 7.9
The Sting (Hill, USA, 1973) – 7.9
Badlands (Malick, USA, 1973) – 7.6
The Mother and the Whore (Eustache, France, 1973) – 7.4
The Spirit of the Beehive (Erice, Spain, 1973) – 7.4
Ali: Fear Eats the Soul (Fassbinder, Germany, 1973) – 7.2
Touki Bouki (Mambety, Senegal, 1973) – 6.8
Blazing Saddles (Brooks, USA, 1974) – 8.4
Chinatown (Polanski, USA, 1974) – 8.4
Black Christmas (Clark, Canada, 1974) – 8.2
Young Frankenstein (Brooks, USA, 1974) – 7.6
Celine and Julie Go Boating (Rivette, France, 1974) – 6.8
The Irony of Fate: Or Enjoy Your Bath! (Ryazanov, Russia, 1975) – 8.5
Cooley High (Schultz, USA, 1975) – 8.1
Night Moves (Penn, USA, 1975) – 7.4
Grey Gardens (Maysles/Maysles, USA, 1975) – 4.2
Taxi Driver (Scorsese, USA, 1976) – 8.2
In the Realm of the Senses (Oshima, Japan, 1976) – 6.9
Mikey and Nicky (May, USA, 1976) – 6.4
Insiang (Brocka, Philippines, 1976) – 8.7
Annie Hall (Allen, USA, 1977) – 6.6
House (Obayashi, Japan, 1977) – 6.4
One Way Boogie Woogie (Benning, USA, 1977) – 5.1
A Wedding (Altman, USA, 1978) – 8.4
Halloween (Carpenter, USA, 1978) – 8.3
The 36th Chamber of Shaolin (Lau, Hong Kong, 1978) – 8.3
Dawn of the Dead (Romero, USA, 1978) – 7.8
Days of Heaven (Malick, USA, 1978) – 7.3
Killer of Sheep (Burnett, USA, 1979) – 7.8
The Blues Brothers (Landis, USA, 1980) – 9.3
Raging Bull (Scorsese, USA, 1980) – 8.3
The Shining (Kubrick, USA, 1980) – 8.2
Melvin and Howard (Demme, USA, 1980) – 7.0
Popeye (Altman, USA, 1980) – 5.2
Thief (Mann, USA, 1981) – 8.5
An American Werewolf in London (Landis, USA/UK, 1981) – 8.3
Possession (Zulawski, France/Germany/Poland, 1981) – 7.9
The Road Warrior (Miller, Australia, 1981) – 7.5
Trances (El Manouni, Morocco, 1981) – 6.2
Body Heat (Kasdan, USA, 1981) – 8.0
The Thing (Carpenter, USA, 1982) – 8.3
Blade Runner (Scott, USA, 1982) – 7.6
The Slumber Party Massacre (Jones, USA, 1982) – 6.8
Rock in Reykjavik (Fridriksson, Iceland, 1982) – 6.3
A Nos Amours (Pialat, France, 1983) – 8.5
Merry Christmas, Mr. Lawrence (Oshima, Japan/UK, 1983) – 8.0
Sans Soleil (Marker, France, 1983) – 6.2
Stranger Than Paradise (Jarmusch, USA, 1984) – 6.2
Vagabond (Varda, France, 1985) – 7.4
After Hours (Scorsese, USA, 1985) – 6.7
The Fly (Cronenberg, Canada/USA, 1986) – 8.0
Mauvais Sang (Carax, France, 1986) – 7.1
The Green Ray (Rohmer, France, 1986) – 6.1
The Dead (Huston, USA/UK, 1987) – 7.8
The Thin Blue Line (Morris, USA, 1988) – 7.7
A Short Film About Love (Kieslowski, Poland, 1988) – 7.7
Time of the Gypsies (Kusturica, Yugoslavia, 1988) – 7.0
A Short Film About Killing (Kieslowski, Poland, 1988) – 6.9
Drugstore Cowboy (Van Sant, USA, 1989) – 8.2
Do the Right Thing (Lee, USA, 1989) – 7.6
Goodfellas (Scorsese, USA, 1990) – 9.0
King of New York (Ferrara, USA, 1990) – 8.9
House Party (Hudlin, USA, 1990) – 6.7
Defending Your Life (Brooks, USA, 1991) – 8.5
To Sleep with Anger (Burnett, USA, 1991) – 8.4
The Lovers on the Bridge (Carax, France, 1991) – 8.0
Close-Up (Kiarostami, Iran, 1991) – 7.6
Slacker (Linklater, USA, 1991) – 7.0
Basic Instinct (Verhoeven, USA, 1992) – 9.0
Unforgiven (Eastwood, USA, 1992) – 8.6
Deep Cover (Duke, USA, 1992) – 8.3
The Player (Altman, USA, 1992) – 8.2
The Long Day Closes (Davies, UK, 1992) – 4.7
Candyman (Rose, USA, 1992) – 7.9
The Piano (Campion, New Zealand, 1993) – 8.4
Groundhog Day (Ramis, USA, 1993) – 8.4
Sonatine (Kitano, Japan, 1993) – 8.3
Matinee (Dante, USA, 1993) – 8.2
Dazed and Confused (Linklater, USA, 1993) – 8.4
Menace II Society (Hughes/Hughes, USA, 1993) – 8.3
Naked (Leigh, UK, 1993) – 6.3
The Bride with White Hair (Yu, Hong Kong, 1993) – 5.1
Hoop Dreams (James, USA, 1994) – 8.0
Chungking Express (Wong, Hong Kong, 1994) – 8.0
The Last Seduction (Dahl, USA, 1994) – 7.2
Wild Reeds (Techine, France, 1994) – 7.1
Ed Wood (Burton, USA, 1994) – 6.8
Devil in a Blue Dress (Franklin, USA, 1995) – 8.5
The Bridges of Madison County (Eastwood, USA, 1995) – 8.2
Dead Man (Jarmusch, USA, 1995) – 8.1
Irma Vep (Assayas, France, 1996) – 7.2
A Moment of Innocence (Makhmalbaf, Iran, 1996) – 5.8
Jackie Brown (Tarantino, USA, 1997) – 9.2
L.A. Confidential (Hanson, USA, 1997) – 8.8
Cure (Kurosawa, Japan, 1997) – 8.2
Taste of Cherry (Kiarostami, Iran, 1997) – 7.2
The Mirror (Panahi, Iran, 1997) – 5.1
The Big Lebowski (Coen/Coen, USA, 1998) – 9.0
The Last Days of Disco (Stillman, USA, 1998) – 8.4
The Bird People in China (Miike, Japan, 1998) – 6.6
Shattered Image (Ruiz, USA, 1998) – 6.9
The Hole (Tsai, Taiwan, 1998) – 5.8
Office Space (Judge, USA, 1999) – 8.4
Peppermint Candy (Lee, S. Korea, 1999) – 8.2
Ravenous (Bird, UK/USA, 1999) – 8.0
Nowhere to Hide (Lee, S. Korea, 1999) – 7.6
Audition (Miike, Japan, 1999) – 7.5
Beau Travail (Denis, France, 1999) – 7.2
JSA: Joint Security Area (Park, S. Korea, 2000) – 8.7
High Fidelity (Frears, USA, 2000) – 8.5
Yi Yi (Yang, Taiwan, 2000) – 8.4
Dancer in the Dark (Von Trier, Denmark/Sweden, 2000) – 7.8
La Captive (Akerman, France, 2000) – 8.0
The Day I Became a Woman (Meshkini, Iran, 2000) – 7.6
In the Mood for Love (Wong, Hong Kong, 2000) – 7.4
Needing You (To/Wai, Hong Kong, 2000) – 7.1
Sexy Beast (Glazer, UK, 2000) – 6.9
Italian for Beginners (Scherfig, Denmark, 2000) – 6.4
Lagaan: Once Upon a Time in India (Gowariker, India, 2000) – 9.3
The Devil’s Backbone (Del Toro, Spain/Mexico, 2001) – 8.6
Mulholland Drive (Lynch, USA, 2001) – 8.1
Failan (Song, S. Korea, 2001) – 8.2
Avalon (Oshii, Japan/Poland, 2001) – 7.8
What Time Is It There? (Tsai, Taiwan, 2001) – 6.6
Fat Girl (Breillat, France, 2001) – 7.0
The Tracker (De Heer, Australia, 2002) – 7.9
Infernal Affairs (Lau/Mak, Hong Kong, 2002) – 7.8
Far From Heaven (Haynes, USA, 2002) – 7.8
Bollywood/Hollywood (Mehta, Canda/India, 2002) – 7.6
Distant (Ceylan, Turkey, 2002) – 5.0
Memories of Murder (Bong, S. Korea, 2003) – 8.9
Oldboy (Park, S. Korea, 2003) – 8.9
A Tale of Two Sisters (Kim, S. Korea, 2003) – 7.8
Save the Green Planet (Jang, S. Korea, 2003) – 6.9
Before Sunset (Linklater, USA, 2004) – 8.9
3-Iron (Kim, S. Korea, 2003) – 8.8
Moolade (Sembene, Senegal, 2004) – 8.2
The Island of Black Mor (Laguionie, France, 2004) – 8.1
The Holy Girl (Martel, Argentina, 2004) – 6.9
Dumplings (Chan, Hong Kong, 2004) – 6.4
Ten Skies (Benning, USA, 2004) – 4.1
A History of Violence (Cronenberg, Canada/USA, 2005) – 8.3
Grizzly Man (Herzog, USA, 2005) – 8.1
The Proposition (Hillcoat, Australia, 2005) – 8.1
Three Times (Hou, Taiwan, 2005) – 7.5
The Ice Harvest (Ramis, USA, 2005) – 7.8
Pan’s Labyrinth (Del Toro, Spain, 2006) – 9.3
The Host (Bong, S. Korea, 2006) – 8.9
Once (Carney, UK, 2006) – 8.8
Shaun of the Dead (Wright, UK, 2006) – 8.5
Black Book (Verhoeven, Holland, 2006) – 8.4
Offside (Panahi, Iran, 2006) – 8.2
A Scanner Darkly (Linklater, USA, 2006) – 8.0
Woman on the Beach (Hong, S. Korea, 2006) – 7.1
12:08 East of Bucharest (Poromboiu, Romania, 2006) – 5.7
The Assassination of Jesse James by the Coward Robert Ford (Dominik, USA, 2007) – 9.6
Zodiac (Fincher, USA, 2007) – 9.1
Eastern Promises (Cronenberg, Canada/UK, 2007) – 8.7
My Winnipeg (Maddin, Canada, 2007) – 6.3
Let the Right One In (Alfredson, Sweden, 2008) – 8.7
Happy-Go-Lucky (Leigh, UK, 2008) – 7.2
Me and Orson Welles (Linklater, USA, 2008) – 7.9
The Headless Woman (Martel, Argentina, 2008) – 6.1
The Hurt Locker (Bigelow, USA, 2008) – 9.4
The House of the Devil (West, USA, 2009) – 8.1
Change Nothing (Costa, France/Portugal, 2009) – 6.0
3 Idiots (Hirani, India, 2009) – 8.5
Shutter Island (Scorsese, USA, 2010) – 9.5
The Social Network (Fincher, USA, 2010) – 8.5
Certified Copy (Kiarostami, Italy/France, 2010) – 8.5
Another Year (Leigh, UK, 2010) – 8.1
The Ghost Writer (Polanski, Germany/France, 2010) – 8.0
The Hunter (Pitts, Iran, 2010) – 6.8
Uncle Boonmee Who Can Recall His Past Lives (Weerasethakul, Thailand, 2010) – 6.6
Audrey the Trainwreck (Ross, USA, 2010) – 6.4
Bernie (Linklater, USA, 2011) – 8.9
The Skin I Live In (Almodovar, Spain, 2011) – 8.6
Drive (Refn, USA, 2011) – 8.1
Life Without Principle (To, Hong Kong, 2011) – 7.9
Midnight in Paris (Allen, USA/France, 2011) – 7.7
Le Havre (Kaurismaki, France/Finland, 2011) – 7.6
Mildred Pierce (Haynes, USA, 2011) – 7.5
This Is Not a Film (Panahi, Iran, 2011) – 7.1
Sleeping Sickness (Kohler, Germany, 2011) – 6.6
Zero Dark Thirty (Bigelow, USA, 2012) – 8.9
Frances Ha (Baumbach, USA, 2012) – 8.7
Silver Linings Playbook (Russell, USA, 2012) – 8.4
Holy Motors (Carax, France, 2012) – 8.3
Spring Breakers (Korine, USA, 2012) – 8.3
Dormant Beauty (Bellocchio, Italy, 2012) – 8.1
Barbara (Petzold, Germany, 2012) – 8.0
Empire Builder (Swanberg, USA, 2012) – 7.7
The Master (Anderson, USA, 2012) – 7.6
Cosmopolis (Cronenberg, Canada/Germany, 2012) – 7.0
The Unspeakable Act (Sallit, USA, 2012) – 6.9
A Fuckload of Scotch Tape (Grant, USA, 2012) – 6.8
Shoals (Bass, USA, 2012) – 5.7
Neighboring Sounds (Mendonca, Brazil, 2012) – 6.4
Snowpiercer (Bong, S. Korea, 2013) – 9.4
Stoker (Park, USA, 2013) – 8.9
Nymphomaniac (Von Trier, Denmark/Germany, 2013) – 8.5
The Grandmaster (Wong, Hong Kong/China, 2013) – 8.2
Top of the Lake (Campion/Davis, New Zealand, 2013) – 8.1
Upstream Color (Carruth, USA, 2013) – 8.1
Before Midnight (Linklater, USA, 2013) – 8.0
A Touch of Sin (Jia, China, 2013) – 7.9
The Wind Rises (Miyazaki, Japan, 2013) – 7.8
Jimmy P. (Desplechin, France/USA, 2013) – 7.7
Contracted (England, USA, 2013) – 7.0
Under the Skin (Glazer, UK, 2013) – 7.3
Black Box (Cone, USA, 2013) – 7.2
Gloria (Lelio, Chile, 2013) – 7.2
Double Play: James Benning and Richard Linklater (Klinger, USA, 2013) – 6.1
Only Lovers Left Alive (Jarmusch, USA, 2013) – 6.3
The Girls on Liberty Street (Rangel, USA, 2013) – 5.5
The Tale of the Princess Kaguya (Takahata, Japan, 2013) – 8.2
Stranger By the Lake (Guiraudie, France, 2013) – 5.7
About Time (Curtis, UK, 2013) – 8.6
Boyhood (Linklater, USA, 2014) – 9.4
The Grand Budapest Hotel (Anderson, USA, 2014) – 8.9
Actress (Greene, USA, 2014) – 8.3
Inherent Vice (Anderson, USA, 2014) – 8.3
The Babadook (Kent, Australia, 2014) – 8.1
Li’l Quinquin (Dumont, France, 2014) – 7.9
Goodbye to Language (Godard, France, 2014) – 7.6
Buzzard (Potrykus, USA, 2014) – 6.7
Right Now, Wrong Then (Hong, S. Korea, 2015) – 8.1
Thao’s Library (Van Meter, USA, 2015) – 8.2
Timbuktu (Sissako, Mauritania/Mali, 2015) – 7.6
Bloomin Mud Shuffle (Ross, USA, 2015) – 7.5
Brooklyn (Crowley, UK, 2015) – 8.3
Tangerine (Baker, USA, 2015) – 7.5
Toni Erdmann (Ade, Germany, 2016) – 7.9
Malaria (Shahbazi, Iran, 2016) – 8.8
Donald Cried (Avedisian, USA, 2016) – 8.5
The Wailing (Na, S. Korea, 2016) – 8.5
Porto (Klinger, USA/Portugal, 2016) – 6.1
The Lost City of Z (Gray, USA/UK, 2016) – 7.9
Signature Move (Reeder, USA, 2017) – 7.6
Good Time (Safdie/Safdie, USA, 2017) – 8.8
The Other Side of Hope (Kaurismaki, Finland, 2017) – 6.9

The 10 Highest-Rated Films:
10. Jackie Brown (Tarantino, USA, 1997) – 9.2
9. Pan’s Labyrinth (Del Toro, Spain/Mexico, 2006) – 9.3
8. The Blues Brothers (Landis, USA, 1980) – 9.3
7. Lagaan: Once Upon a Time in India (Gowariker, India, 2000) – 9.3
6. Boyhood (Linklater, USA, 2014) – 9.4
5. The Hurt Locker (Bigelow, USA, 2008) – 9.4
4. The Godfather (Coppola, USA, 1972) – 9.4
3. Snowpiercer (Bong, S. Korea, 2013) – 9.4
2. Shutter Island (Scorsese, USA, 2010) – 9.5
1. The Assassination of Jesse James by the Coward Robert Ford (Dominik, USA, 2007) – 9.6

 

 

 

 


The Last Ten Movies I Saw

1. Tangerine (Baker)
2. Dishonored (Von Sternberg)
3. Stranger By the Lake (Guiraudie)
4. About Time (Curtis)
5. Blindspotting (Estrada)
6. Breathless (Godard)
7. The Wailing (Na)
8. Days of Heaven (Malick)
9. Morocco (Von Sternberg)
10. Toni Erdmann (Ade)


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