Advertisements

Tag Archives: Rendezvous in Chicago

RENDEZVOUS IN CHICAGO in Cinefile Chicago

Rendezvous in Chicago screens at the Oakton Pop-Up Film Festival in Des Plaines (the Illinois Premiere!) this Thursday, November 29 at 2pm. Critic Scott Pfeiffer has reviewed the film for Cine-File Chicago. I found his spoiler-free review so insightful that I’m reprinting it below in its entirety. Check it out then come to the screening on Thursday:

RIC_FINAL_CUT_MAY_30_LOCKED_FOR_SOUND_COLOR.00_21_52_14.Still002

Oakton Pop-Up Film Festival

Oakton Community College (1600 E. Golf Rd., Des Plaines) — Tuesday-Friday, November 27-30 (Free Admission)

Michael Glover Smith’s RENDEZVOUS IN CHICAGO (New American)
Thursday, 2pm
At a time when our leaders prey on, and feed off, the worst parts of ourselves, it couldn’t be a more necessary time for an homage to Éric Rohmer. That’s just what my friend, Cine-File‘s own Mike Smith, has given us with his third feature, the sweet, delightful, humanistic rom-com RENDEZVOUS IN CHICAGO. It celebrates love and intelligence—that is to say, the best in us. Smith has taken the basic form of Rohmer’s RENDEZVOUS IN PARIS—three sketches united by their setting in one of the world’s great cities—and added his own original agenda, which encompasses feminism and a pro-gay vision. He’s even shot the movie in Rohmer’s favored boxy Academy aspect ratio. Smith’s script, based on stories he dreamed up with Jill McKeown (his wife and also a friend), shows his knack for the simple yet elegant structure: the three chapters correspond to the beginning, middle, and end of love, respectively, with the end cycling back into the beginning. Coming out of acting retirement after 37 years, Haydée Politoff, from Rohmer’s touchstone LA COLLECTIONNEUSE (1967), performs a place-setting Hyde Park prologue. She’s the faculty adviser to U of C doctoral candidate Delaney, wittily played by Clare Cooney. The first vignette, The Brothers Karamazov, takes place in a little candlelit wine bar. If I say it’s a bit of a Kubrickian/Lynchian antechamber, that belies how cozy it actually is. It’s a lonely Sunday night and whip-smart Delaney is working on her thesis. Suddenly, she finds herself being hit on, not entirely unwelcomed, by the only other patron: none other than Paul, the likably pretentious aspiring writer from COOL APOCALYPSE, Smith’s debut. (Amusingly, when we get a glimpse of what Paul’s writing, it’s the end of MERCURY IN RETROGRADE, Smith’s second feature.) Once again, Paul is played by the funny Kevin Wehby, who’s emerging as Smith’s Jean-Pierre Léaud, or Kyle MacLachlan. Delaney proposes a naughty little game, which quickly hoists Paul with his own male petard. The second sketch, Cats and Dogs, is my favorite. Achieving an effortless Linklater-ian tone, it follows a gay couple, Andy and Rob, as they walk from their Rogers Park home to the shores of Lake Michigan. Smith sets the scene with glimpses of the Essanay and Selig Polyscope buildings, nods to Chicago’s rich film history, a subject on which he literally wrote the book. We know, but Andy doesn’t, that Rob has a question to pop, but look out—as they meet the neighborhood’s dogs, it emerges that Andy’s more of a cat person, whereas Rob’s a dog guy! As Andy and Rob, respectively, Rashaad Hall and Matthew Sherbach are so natural, charming, and funny that I not only wanted them to be a real couple, I wanted to be their friend. They run into Tess from COOL APOCALYPSE (Chelsea David), who’s out walking Sophie the Shih Tzu, playing herself in a flawless method performance. When the gents get to the beach, there’s a moving homage to the immortal “Lake Shore Drive” by the late Skip Haynes, to whom the film is dedicated. The third sketch, The End Is the Beginning, is the most minimalist. It features Nina Ganet, back as Julie from COOL APOCALYPSE. After a sudden, tumultuous rom-com breakup with Wyatt from MERCURY IN RETROGRADE (Shane Simmons), Julie finds herself alone again, but for us. Warming to us, she begins to fall in love with the camera itself: that is to say, with you and me. Since she’s played by the sunny, freckle-faced Ganet, how can we resist falling in love back, at least a little? It’s a remarkably benign, even celebratory, view of “the gaze.”  As Julie takes us in her arms to dance, we spin round and round, dizzy on the cusp of new love. As an Ohio boy who’s lived in Chicago for 25 years now, I love the idea of doing for my adopted city what Rohmer did for Paris. My personal feeling is that the magic is always there in Chicago: you just need to know how to look. Perhaps the most valuable thing RENDEZVOUS IN CHICAGO did for me is to renew that feeling, after all these years. It’s a vision to treasure: heaven might just be a beach on the shores of Lake Michigan, lolling away the afternoon with someone you love, in Chicago, Illinois. Smith, producer Layne Marie Williams, and select cast in person (moderated by Cine-File Associate Editor Kathleen Sachs). (2018, 69 min, Digital Projection) SP

Advertisements

Two New RENDEZVOUS IN CHICAGO Radio Interviews!

clare.jpg

Clare Cooney and I recently appeared on two Chicago-area radio shows to promote the upcoming RENDEZVOUS IN CHICAGO screening at the Oakton Pop-Up Film Festival. There is very little overlap between these and the No Coast Cinema interview we did last month so all are worth listening to!

On Tuesday, November 13, we appeared on the Nick Digilio Show on WGN radio. You can listen to that 30-minute segment here.

Yesterday, Sunday, November 18, we appeared on WCGO’s Playtime with Bill Turck and Kerri Kendall. You can watch the 10-minute interview on Facebook Live by skipping to the one-hour-and-fifty-minute mark here.

More interviews and reviews should drop soon – so stay tuned!


RENDEZVOUS IN CHICAGO on WGN Radio’s No Coast Cinema!

ncc
It was an absolute pleasure to return to WGN Radio’s great No Coast Cinema show to discuss RENDEZVOUS IN CHICAGO with the great actors Clare Cooney, Nina Ganet and Rashaad Hall. I think this is a super-fun listen. We discuss the film with hosts Tom Hush and Conor Cornelius. Listen online here.


RENDEZVOUS IN CHICAGO Press Round-Up / Newcity’s Film 50

44558265_586098651827038_868311626971873280_n
(left to right: Rendezvous in Chicago Associate Producer Jill Sandmire, Production Manager Armani Barron, me, and Producer Layne Marie Williams)

My new film Rendezvous in Chicago had its World Premiere this past weekend at the fabulous Adirondack Film Festival in Glens Falls, NY where we had two screenings in front of large and appreciative audiences (the first show was sold out!) and were fortunate to take the 2nd place Audience Choice Award for Best Feature. It was great to have some of the “Women of the Now” on hand to celebrate the occasion. The first reviews have also started to appear in print and online. All are positive and all have good insights into the film. Here’s a round-up:

  • “Mr. Price,” a Virginia-based critic writing at the Strasburg Film website, concludes his review by noting, “Superb writing, backed up by standout performances against the gorgeous visual backdrop of the titular city, make this film an experience unlike any other.” You can read his full review here.
  • Pamela Powell, writing at her Reel Honest Reviews site, calls it “Refreshingly fun” and notes “the strength of the women in the first and third stories.” Her full review is here.
  • Leo Brady, at his A Movie Guy site, appears taken aback by the lighthearted tone (after my previous film Mercury in Retrograde) but still writes that “Rendezvous in Chicago is the perfect escape.” Check the full review here.
  • In a print article that appeared in the Glens Falls Post Star, film writer Kathleen Phalen-Tomaselli recommended our Saturday screening as one of the day’s “offbeat” highlights and praised Rendezvous‘ “beautiful” cinematography. She also has a few quotes from me and producer Layne Marie Williams in her story, which you can peep online here.

Finally, I recently made Newcity Chicago‘s annual “Film 50” list for the first time. A lot of talented friends and colleagues have been on this list over the past seven years and it’s a huge honor for me to be in their company. You can read Ray Pride’s write up of me in the October edition of this great alternative monthly – physical copies of which are currently all around Chicago, or you can check out the expanded write-up online here. Thanks so much to Ray for the words and photographer Sally Blood for the photos (one of which I’m posting below):

mgs


The 5th Annual Oakton Pop-Up Film Festival!

I am excited to announce that, after the success of the last four Oakton Pop-Up Film Festivals, I have programmed and will be hosting P.U.F.F. for the fifth consecutive year. The screenings of these acclaimed independent American films (three features and three shorts), spanning various genres and styles, will all take place at Oakton Community College’s Footlik Theater in Des Plaines, Illinois, from Tuesday, November 27 through Friday, November 30. The entire festival is FREE and open to the public and ALL screenings will be followed by live Q&A sessions with cast and crew members from the films. Any of my students who attend a screening will receive extra credit points towards his or her final grade (see the extra credit page of your course website for more information). Don’t you dare miss it!

Oakton Community College’s 4th Annual Pop-Up Film Festival!
Footlik Theatre, 1600 E. Golf Road, Des Plaines
Tuesday, Nov. 27 – Friday, Nov. 30 – FREE admission

2-format43

Tuesday, 11/27 at 2pm: Madeline’s Madeline + post-screening discussion with Tina Fakhrid-Deen and Michael Glover Smith
Madeline got the lead role in the play! Strangely, the character wears sweatpants like Madeline. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face… like Madeline is. An official selection of the Sundance and Berlin International Film Festivals, Josephine Decker’s intense psychodrama is an indescribable masterpiece that has been acclaimed as “one of the freshest and most exciting films of the 21st century” by Indiewire.

future
Wednesday, 11/28 at 12:30pm: Future Language: The Dimensions of Von LMO + live Q&A w/ director Lori Felker moderated by Shannon Sloan-Spice
This experimental documentary chronicles the life of Von LMO, a musician and self-proclaimed alien-hybrid who was part of the late 70s New York No Wave music scene. Between trips to his home planet Strazar, Von has spent some very real time in prison and on the streets of Earth. Challenged with translating his Future Language for audiences across the galaxy, Lori, our filmmaker and Von LMO fan, gets sucked into Von’s orbit and finds herself lost in his story. An official selection of the Chicago Underground Film Festival.

RIC_FINAL_CUT_MAY_30_LOCKED_FOR_SOUND_COLOR.00_21_52_14.Still002

Thursday, 11/29 at 2pm: Rendezvous in Chicago + live Q&A w/ director Michael Smith, cast members Clare Cooney, Rashaad Hall, Kevin Wehby, David McNulty and producer Layne Marie Williams moderated by Kathleen Sachs
RENDEZVOUS IN CHICAGO is a short, comedic feature film consisting of three vignettes that correspond to the beginning (“The Brothers Karamazov”), middle (“Cats and Dogs”) and end (“The End is the Beginning”) stages of a relationship. This love letter to the Windy City and its colorful inhabitants was an official selection of the 2018 Adirondack Film Festival.

image
Friday, 11/30 at 12:30pm:
Experimental Shorts Program + live Q&A w/ directors Melika Bass, Maggie Scrantom and Haley McCormick moderated by Michael Smith
This program showcases acclaimed, wordless experimental short films that were all produced locally: CREATURE COMPANION (Bass), ASHES OF ATOMS (Scrantom) and DANCER (McCormick).

The film festival is sponsored by Oakton Community College’s Educational Foundation.


Talking FRANKENSTEIN in Wilmette / RENDEZVOUS IN CHICAGO at the Adirondack Film Fest

frank

I’ll be giving a talk about cinematic adaptations of Mary Shelley’s Frankenstein from the early sound era through the present day at the Wilmette Public Library next Sunday, October 7. Here’s the description I wrote for their website:

Mike at the Movies Presents: Frankenstein on Film
Sunday, October 7 at 2:00
In all of literature Frankenstein is one of the novels most frequently adapted into other mediums. In this special Halloween edition of “Mike at the movies,” filmmaker and scholar Michael Glover Smith will spotlight some of the most popular and enduring cinematic interpretations of Mary Shelley’s masterpiece – from James Whale’s iconic Boris Karloff vehicle from 1931 and Hammer’s lurid color version in 1958 to classic parodies such as Abbot and Costello Meet Frankenstein and Mel Brooks’ Young Frankenstein.
The presentation will focus on how different filmmakers have managed to explore different aspects of the same well-known formula and, in the process, continually revive a story that refuses to die.
Auditorium; Free and Open to the Public – http://www.wilmettelibrary.info

*

My new film Rendezvous in Chicago will be screening TWICE at the Adirondack Film Festival, which is hosting our World Premiere, in Glens Falls, New York next month. Both screenings will be preceded by Clare Cooney’s great short film Runner. The first show will be Friday, October 19 at 3:15pm, the second on Saturday, October 20 at 3:30pm. I will be there to introduce the screenings along with producer Layne Marie Williams and other members of the cast and crew. For more info, including the full festival schedule, ticket info and showtimes, check out the festival’s website: http://www.adkfilmfestival.org/


%d bloggers like this: