1. Anguish (Luna)
2. Happy as Lazzaro (Rohrwacher)
3. Devil in a Blue Dress (Franklin)
4. Body Melt (Brophy)
5. Night of the Demon (Tourneur)
6. The Blood on Satan’s Claw (Haggard)
7. The Lady from Shanghai (Welles)
8. Suspiria (Argento)
9. Humanoids from the Deep (Peeters)
10. Ash is Purest White (Jia)
Author Archives: michaelgloversmith
1. Anguish (Luna)
I reviewed Olivier Assayas’ Non-Fiction for Cine-File Chicago. It screens for the second and final time at the Chicago International Film Festival today. I’m reproducing my capsule review in its entirety below.
Olivier Assayas’ NON-FICTION (France)
Saturday 10/13, 3:30pm
Olivier Assayas’ witty, deceptively simple NON-FICTION begins with a comically tense scene in which Alain, (Guillaume Canet), a suave book publisher, and Leonard (Vincent Macaigne), a Luddite author whose controversial novels are thinly disguised autobiography, argue about the virtues of Twitter. The seemingly meandering narrative that follows belies a clever structure that resolves itself 90-odd minutes later with Shakespearean symmetry when both men vacation together with their wives: Alain’s partner, Selena (Juliette Binoche), is a television actress ambivalent about her recent success on a cop show, and Valerie (Nora Hamzawi), Leonard’s wife, is a high-profile attorney and the breadwinner in their relationship. This quartet represents a spectrum of diverse attitudes towards globalization and humanity’s slavish dependence on technology in an increasingly digital world yet it is to Assayas’ credit as a writer that they also always come across as fully fleshed-out characters, never mere mouthpieces for differing points-of-view. It’s the talkiest film Assayas has yet made though the dense dialogue scenes are cleverly edited in a brisk, Fincher-esque manner, and he often generates humor through the surprising way he ends scenes abruptly. It’s a substantial new chapter in an important body of work, one that illustrates the director’s philosophy that the role of the artist is to invent new tools to comment on a modern world that’s always changing. (2018, 106 min) MGS
1. Me and Orson Welles (Linklater)
2. Black Girl (Sembene)
3. Hocus Pocus (Ortega)
4. The Lady from Shanghai (Welles)
5. Non-Fiction (Assayas)
6. The Wicker Man (Hardy)
7. Tales from the Hood 2 (Cundieff/Scott)
8. Tales from the Hood (Cundieff)
9. Citizen Kane (Welles)
10. Alice Sweet Alice (Sole)
I am excited to announce that, after the success of the last four Oakton Pop-Up Film Festivals, I have programmed and will be hosting P.U.F.F. for the fifth consecutive year. The screenings of these acclaimed independent American films (three features and three shorts), spanning various genres and styles, will all take place at Oakton Community College’s Footlik Theater in Des Plaines, Illinois, from Tuesday, November 27 through Friday, November 30. The entire festival is FREE and open to the public and ALL screenings will be followed by live Q&A sessions with cast and crew members from the films. Any of my students who attend a screening will receive extra credit points towards his or her final grade (see the extra credit page of your course website for more information). Don’t you dare miss it!
Oakton Community College’s 4th Annual Pop-Up Film Festival!
Footlik Theatre, 1600 E. Golf Road, Des Plaines
Tuesday, Nov. 27 – Friday, Nov. 30 – FREE admission
Tuesday, 11/27 at 2pm: Madeline’s Madeline + live Q&A w/ actress Helena Howard moderated by Tina Fakhrid-Deen
Madeline got the lead role in the play! Strangely, the character wears sweatpants like Madeline. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face… like Madeline is. An official selection of the Sundance and Berlin International Film Festivals, Josephine Decker’s intense psychodrama is an indescribable masterpiece that has been acclaimed as “one of the freshest and most exciting films of the 21st century” by Indiewire.
Wednesday, 11/28 at 12:30pm: Future Language: The Dimensions of Von LMO + live Q&A w/ director Lori Felker moderated by Shannon Sloan-Spice
This experimental documentary chronicles the life of Von LMO, a musician and self-proclaimed alien-hybrid who was part of the late 70s New York No Wave music scene. Between trips to his home planet Strazar, Von has spent some very real time in prison and on the streets of Earth. Challenged with translating his Future Language for audiences across the galaxy, Lori, our filmmaker and Von LMO fan, gets sucked into Von’s orbit and finds herself lost in his story. An official selection of the Chicago Underground Film Festival.
Thursday, 11/29 at 2pm: Rendezvous in Chicago + live Q&A w/ director Michael Smith, cast members Clare Cooney, Rashaad Hall, Kevin Wehby, David McNulty and producer Layne Marie Williams moderated by Kathleen Sachs
RENDEZVOUS IN CHICAGO is a short, comedic feature film consisting of three vignettes that correspond to the beginning (“The Brothers Karamazov”), middle (“Cats and Dogs”) and end (“The End is the Beginning”) stages of a relationship. This love letter to the Windy City and its colorful inhabitants was an official selection of the 2018 Adirondack Film Festival.
Friday, 11/30 at 12:30pm: Experimental Shorts Program + live Q&A w/ directors Melika Bass, Maggie Scrantom and Haley McCormick moderated by Michael Smith
This program showcases acclaimed, wordless experimental short films that were all produced locally: CREATURE COMPANION (Bass), ASHES OF ATOMS (Scrantom) and DANCER (McCormick).
The film festival is sponsored by Oakton Community College’s Educational Foundation.
1. Society (Yuzna)
2. Citizen Kane (Welles)
3. Transit (Petzold)
4. Citizen Kane (Welles)
5. The Uninvited (Allen)
6. Mon Oncle (Tati)
7. Diane (Jones)
8. Def by Temptation (Bond)
9. Citizen Kane (Welles)
10. Galaxy of Terror (Clark)
On October’s Cine-Cast, the Cine-File Chicago podcast, I discuss with critics Ben Sachs and Kyle Cubr the Chicago International Film Festival titles I’m most excited to see – including Orson Welles’ THE OTHER SIDE OF THE WIND, Jia Zhangke’s ASH IS PUREST WHITE, Kent Jones’ DIANE, Christian Petzold’s TRANSIT and an Experimental Shorts Program featuring Melika Bass, Deborah Stratman and Apichatpong Weerasethakul. What I don’t say, because Cine-File is all about advocacy, is that I think this is the single weakest CIFF lineup in the 23 years that I’ve been attending. Among the prominent titles missing from this year’s fest are new works by Claire Denis, Jean-Luc Godard, Frederick Wiseman (especially sad given MONROVIA, INDIANA’s Midwestern connection), Lav Diaz, Jafar Panahi, Lee Chang-Dong, Jennifer Kent, Hong Sang-Soo (despite the fact that there were two films to choose from and Lee is a School of the Art Institute alum), Wang Bing, Alex Ross Perry and Bi Gan. The last of these omissions, LONG DAY’S JOURNEY INTO NIGHT, which had its World Premiere at Cannes and also screened at Toronto and New York, is particularly regrettable as it features a lengthy dream sequence shot in 3D that is supposedly comparable to the astonishing virtuosic long take in Bi Gan’s first film KAILI BLUES. The AMC River East multiplex where CIFF takes place is equipped with 3D projectors and festival director Michael Kutza, stepping down after this year, has gone on record as saying he likes to show 3D films. Because LONG DAY’S JOURNEY INTO NIGHT is a Chinese art film, however, it can now only be programmed for a local theatrical screening, if at all, at a theater without a 3D projector (e.g., the Siskel Center, the Music Box, Facets, etc.). This means that, unfortunately, Chicago cinephiles will never have the chance to see this film the way that its director intended.
1. Freddy vs. Jason (Yu)
2. Too Late to Die Young (Sotomayer)
3. In the Mouth of Madness (Carpenter)
4. The Lady Eve (Sturges)
5. The Atomic Cafe (Loader/Rafferty/Rafferty)
6. The Rules of the Game (Renoir)
7. Stromboli (Rossellini)
8. Man with the Movie Camera (Vertov)
9. Bringing Up Baby (Hawks)
10. The Awful Truth (McCarey)