I’m very happy to announce that my 2017 feature MERCURY IN RETROGRADE will receive its Los Angeles Theatrical Premiere at Rooftop Cinema Club in Hollywood on the evening of Wednesday, August 7. I will be there with stars Roxane Mesquida and Shane Simmons and producer Kevin Wright for a post-screening Q&A. This event will shortly be followed by a Special Edition Blu-ray release of the film by Emphasis Entertainment. You can purchase tickets for the screening at the Rooftop Cinema Club screening on the website of the venue and learn more details about the special features on the Blu-ray in a story at Screen Magazine.
Tag Archives: Michael Glover Smith
I couldn’t be happier to announce that the NYC Premieres of my most recent features, Mercury in Retrograde and Rendezvous in Chicago, will take place at Spectacle Theater in Brooklyn on the evening of Saturday, May 25! I’m a big fan of the programming at Spectacle and am honored that they wanted to show my work. Producer Kevin Wright will join me for the MERCURY Q&A and actor Rashaad Hall (Andy) will join me for the RENDEZVOUS Q&A. Tickets are on sale now and I expect both shows to sell out. Hope to see all my NYC-area friends there!
I am pleased to announce that RENDEZVOUS IN CHICAGO has won the Audience Choice Award for Best Narrative Feature at the Tallahassee Film Festival! This was our fourth award in eight festival screenings and I couldn’t have been happier about the response at this superbly programmed fest that is so close to my heart!
Our next screening will be at Chicago Filmmakers on Saturday, May 4 at 7:00 PM, which will be followed by a Q&A with yours truly moderated by critic David J. Fowlie. I will also be dropping announcements soon about our Michigan and New York City premieres – so stay tuned!
I was recently interviewed by Andy Miles about Rendezvous in Chicago for his “Depth of Field” podcast ahead of our local premiere at the Gene Siskel Film Center this Friday, February 8. This wide-ranging conversation also covers my previous work (Mercury in Retrograde and Cool Apocalypse), and contains audio clips from all three movies as well as from Jason Coffman’s superb Rendezvous score. Listen here.
My fearless producer Layne Marie Williams and I were on WGN Radio’s Patti Vasquez Show last night to talk all about the Chicago Premiere of RENDEZVOUS IN CHICAGO at the Gene Siskel Film Center! The interview segment begins at the 38:40 mark and runs all the way until the end of the program. This is a fun, freewheeling listen. Check it out here.
If you haven’t bought tickets yet, they are selling like hotcakes! The Friday and Saturday shows, in particular, should sell out in advance so please get ’em while you still can at the Siskel’s website here.
I’m very pleased to announce that my feature film, Cool Apocalypse, while still in the midst of its festival run, will receive its Chicago debut at the Gene Siskel Film Center in November. The Siskel has long been my favorite local film venue and I am honored beyond my ability to express myself that they were interested in programming it. It will screen for two shows only: on Saturday, November 21, at 8pm and Monday, November 23, at 8:15pm. I will be present to introduce both screenings and participate in post-screening Q&As with producer Clare Kosinski and members of the cast. Tickets will not go on sale for another month but, because I am offering extra-credit points to the students in all five of my classes who attend, I suspect that both shows will be sell outs. I therefore strongly advise anyone interested in seeing Cool Apocalypse to purchase their tickets in advance. Tickets will be available for sale through the Siskel Center’s website and in person at the box office in October. Hope to see you at our hometown premiere!
In more recent Chicago film-screening news, I will be introducing a screening of Alfred Hitchcock’s The Lodger at Transistor Chicago this Saturday, September 19 at 8pm. I will be showing the BFI’s recent restoration of the Master of Suspsense’s first thriller, which is not yet available on home video in North America. The screening is FREE and BYOB. Here is the description I wrote for Transistor’s website:
The British Film Institute’s recent restoration of Hitchcock’s first thriller gloriously renders many heretofore unseen details in the film’s luminous Expressionist-influenced photography. Hitchcock fans who haven’t yet seen it might be shocked at how fully formed the Master of Suspense’s style was this early in his career: There are a series of murders, a ‘wrong man’ plot, a beautiful ‘Hitchcockian blonde,’ and a highly memorable kissing scene. (1927, NR, 92 minutes)
Hope to see you there as well!
As I first reported here back in July, the book that Adam Selzer and I have written about the rise and fall of the silent film industry in Chicago, Flickering Empire, will be released next spring by Wallflower Press, the Film Studies imprint of Columbia University Press. Pre-order info for the book was made available today. We are pleased to announce it will be released on March 17 and can be ordered direct from the CUP website here.
It’s only 25 dollars (or 17-and-a-half pounds for all of you limeys out there) for the paperback edition, or $75/£52.00 for the hardcover. Both are illustrated with 24 handsome black-and-white photographs, a couple of which were taken by yours truly. Or you can order it from amazon and save a few bucks: it’s only $22.85 for the paperback edition. For a 240-page book, that’s a steal at less than a dollar per page, folks!
Last but not least, I’d like to point out that March 17 is St. Patrick’s Day. What better way to celebrate than by opening a package in the mail, pouring yourself a pint of the black stuff and then settling in to read all about the evils of one Thomas Alva Edison, hmmmm?