We are deep into post-production on RELATIVE and every time I see the footage, I couldn’t feel more proud of the work put in by our tremendous cast and crew. I anticipate a World Premiere in early 2022. In the meantime, Screen Magazine published a second article to coincide with the wrap of our shoot that you might be interested in checking out. It features new quotes from me and producer/actress Clare Cooney about the making of the film:
Tag Archives: Clare Cooney
For those who missed the Rendezvous in Chicago Live Commentary with me and Clare Cooney, broadcast on Facebook last Sunday night, we recorded the video on Zoom so you still have the chance to watch it. I had a lot of fun doing this – mainly because Clare brought so much insight (and humor) to her observations on what it’s like to act in and be the casting director for an indie film. Please note you are meant to watch the film simultaneously with the commentary video. Here’s how it works:
1. Pull up Rendezvous in Chicago on Tubi here.
2. Pull up the Facebook Live video (in a separate browser or on a separate device) here.
3. Press play on the Live Commentary video first.
4. When I say “Go”in the Live Commentary video (after counting down from five), press play on the Tubi video.
5. Enjoy both videos simultaneously!
Tickets for the four RENDEZVOUS IN CHICAGO screenings at the Gene Siskel Film Center next month are on sale NOW. I anticipate sell-out crowds (w/ the Friday and Saturday shows selling out first) and strongly advise buying advance tickets at the Siskel Center box office or online here. I will appear for audience discussion at all screenings, along with these special guests:
Fri, 2/8, 8pm – Intro: Conor Cornelius/Moderator: Tom Hush (WGN’s No Coast Cinema). Panelists: Actors Clare Cooney, Nina Ganet, David McNulty, Matt Sherbach
Sat, 2/9, 4:30pm – Moderator: Pamela Kammer Powell (FF2 Media). Panelists: Women of the Now (producer Layne Marie Williams, associate producer Jill Sandmire, colorist Grace Pisula and script supervisor Hannah Butler)
Mon, 2/11, 7:45pm – Moderator: Pat McDonald (Hollywood Chicago). Panelists: Actor Rashaad Hall, producer Layne Marie Williams, cinematographer Alex Halstead, editor Eric Marsh, production designer Haley McCormick. Note: On Monday only, the feature will be followed by McCormick’s short film DANCER (7 min)
Wed, 2/13, 7:45pm – Moderator: Matt Fagerholm (RogerEbert.com). Panelists: Actors Clare Cooney, Nina Ganet, Matt Sherbach, Shane Simmons
Please also RSVP to our delightful Facebook Event Page.
There is a great story by Joey Filer at the essential Chicago film-industry news website Reel Chicago all about RENDEZVOUS IN CHICAGO. It features quotes from producer Layne Marie Williams, actress Clare Cooney and yours truly, and breaks the exciting news that our Chicago Premiere will be held at the Gene Siskel Film Center in February! Filer also makes some rather salient critical points about the film. He writes, “RENDEZVOUS IN CHICAGO’s music, camera work, 4:3 aspect ratio, narrative arc, vignette structure, and pacing, along with one of the most unconventional dance scenes in recent memory, all beg to be analyzed in a film theory course and written about in scholarly journals.” You can read the full article here.
I am also very excited to announce that our first festival screenings in 2019 will take place at the Santa Fe Film Festival in New Mexico (exact date TBA but the fest is held 2/13-2/17) and the Beloit International Film Festival in Wisconsin (exact date tba but the fest is held 2/23-3/04). Members of the cast and/or crew will be present for live Q&As after both screenings. Even more screenings will be announced soon – so stay tuned!
Rendezvous in Chicago screens at the Oakton Pop-Up Film Festival in Des Plaines (the Illinois Premiere!) this Thursday, November 29 at 2pm. Critic Scott Pfeiffer has reviewed the film for Cine-File Chicago. I found his spoiler-free review so insightful that I’m reprinting it below in its entirety. Check it out then come to the screening on Thursday:
Oakton Pop-Up Film Festival
Oakton Community College (1600 E. Golf Rd., Des Plaines) — Tuesday-Friday, November 27-30 (Free Admission)
Michael Glover Smith’s RENDEZVOUS IN CHICAGO (New American)
At a time when our leaders prey on, and feed off, the worst parts of ourselves, it couldn’t be a more necessary time for an homage to Éric Rohmer. That’s just what my friend, Cine-File‘s own Mike Smith, has given us with his third feature, the sweet, delightful, humanistic rom-com RENDEZVOUS IN CHICAGO. It celebrates love and intelligence—that is to say, the best in us. Smith has taken the basic form of Rohmer’s RENDEZVOUS IN PARIS—three sketches united by their setting in one of the world’s great cities—and added his own original agenda, which encompasses feminism and a pro-gay vision. He’s even shot the movie in Rohmer’s favored boxy Academy aspect ratio. Smith’s script, based on stories he dreamed up with Jill McKeown (his wife and also a friend), shows his knack for the simple yet elegant structure: the three chapters correspond to the beginning, middle, and end of love, respectively, with the end cycling back into the beginning. Coming out of acting retirement after 37 years, Haydée Politoff, from Rohmer’s touchstone LA COLLECTIONNEUSE (1967), performs a place-setting Hyde Park prologue. She’s the faculty adviser to U of C doctoral candidate Delaney, wittily played by Clare Cooney. The first vignette, The Brothers Karamazov, takes place in a little candlelit wine bar. If I say it’s a bit of a Kubrickian/Lynchian antechamber, that belies how cozy it actually is. It’s a lonely Sunday night and whip-smart Delaney is working on her thesis. Suddenly, she finds herself being hit on, not entirely unwelcomed, by the only other patron: none other than Paul, the likably pretentious aspiring writer from COOL APOCALYPSE, Smith’s debut. (Amusingly, when we get a glimpse of what Paul’s writing, it’s the end of MERCURY IN RETROGRADE, Smith’s second feature.) Once again, Paul is played by the funny Kevin Wehby, who’s emerging as Smith’s Jean-Pierre Léaud, or Kyle MacLachlan. Delaney proposes a naughty little game, which quickly hoists Paul with his own male petard. The second sketch, Cats and Dogs, is my favorite. Achieving an effortless Linklater-ian tone, it follows a gay couple, Andy and Rob, as they walk from their Rogers Park home to the shores of Lake Michigan. Smith sets the scene with glimpses of the Essanay and Selig Polyscope buildings, nods to Chicago’s rich film history, a subject on which he literally wrote the book. We know, but Andy doesn’t, that Rob has a question to pop, but look out—as they meet the neighborhood’s dogs, it emerges that Andy’s more of a cat person, whereas Rob’s a dog guy! As Andy and Rob, respectively, Rashaad Hall and Matthew Sherbach are so natural, charming, and funny that I not only wanted them to be a real couple, I wanted to be their friend. They run into Tess from COOL APOCALYPSE (Chelsea David), who’s out walking Sophie the Shih Tzu, playing herself in a flawless method performance. When the gents get to the beach, there’s a moving homage to the immortal “Lake Shore Drive” by the late Skip Haynes, to whom the film is dedicated. The third sketch, The End Is the Beginning, is the most minimalist. It features Nina Ganet, back as Julie from COOL APOCALYPSE. After a sudden, tumultuous rom-com breakup with Wyatt from MERCURY IN RETROGRADE (Shane Simmons), Julie finds herself alone again, but for us. Warming to us, she begins to fall in love with the camera itself: that is to say, with you and me. Since she’s played by the sunny, freckle-faced Ganet, how can we resist falling in love back, at least a little? It’s a remarkably benign, even celebratory, view of “the gaze.” As Julie takes us in her arms to dance, we spin round and round, dizzy on the cusp of new love. As an Ohio boy who’s lived in Chicago for 25 years now, I love the idea of doing for my adopted city what Rohmer did for Paris. My personal feeling is that the magic is always there in Chicago: you just need to know how to look. Perhaps the most valuable thing RENDEZVOUS IN CHICAGO did for me is to renew that feeling, after all these years. It’s a vision to treasure: heaven might just be a beach on the shores of Lake Michigan, lolling away the afternoon with someone you love, in Chicago, Illinois. Smith, producer Layne Marie Williams, and select cast in person (moderated by Cine-File Associate Editor Kathleen Sachs). (2018, 69 min, Digital Projection) SP
Clare Cooney and I recently appeared on two Chicago-area radio shows to promote the upcoming RENDEZVOUS IN CHICAGO screening at the Oakton Pop-Up Film Festival. There is very little overlap between these and the No Coast Cinema interview we did last month so all are worth listening to!
On Tuesday, November 13, we appeared on the Nick Digilio Show on WGN radio. You can listen to that 30-minute segment here.
Yesterday, Sunday, November 18, we appeared on WCGO’s Playtime with Bill Turck and Kerri Kendall. You can watch the 10-minute interview on Facebook Live by skipping to the one-hour-and-fifty-minute mark here.
More interviews and reviews should drop soon – so stay tuned!
It was an absolute pleasure to return to WGN Radio’s great No Coast Cinema show to discuss RENDEZVOUS IN CHICAGO with the great actors Clare Cooney, Nina Ganet and Rashaad Hall. I think this is a super-fun listen. We discuss the film with hosts Tom Hush and Conor Cornelius. Listen online here.
I’ll be giving a talk about cinematic adaptations of Mary Shelley’s Frankenstein from the early sound era through the present day at the Wilmette Public Library next Sunday, October 7. Here’s the description I wrote for their website:
Mike at the Movies Presents: Frankenstein on Film
Sunday, October 7 at 2:00
In all of literature Frankenstein is one of the novels most frequently adapted into other mediums. In this special Halloween edition of “Mike at the movies,” filmmaker and scholar Michael Glover Smith will spotlight some of the most popular and enduring cinematic interpretations of Mary Shelley’s masterpiece – from James Whale’s iconic Boris Karloff vehicle from 1931 and Hammer’s lurid color version in 1958 to classic parodies such as Abbot and Costello Meet Frankenstein and Mel Brooks’ Young Frankenstein.
The presentation will focus on how different filmmakers have managed to explore different aspects of the same well-known formula and, in the process, continually revive a story that refuses to die.
Auditorium; Free and Open to the Public – http://www.wilmettelibrary.info
My new film Rendezvous in Chicago will be screening TWICE at the Adirondack Film Festival, which is hosting our World Premiere, in Glens Falls, New York next month. Both screenings will be preceded by Clare Cooney’s great short film Runner. The first show will be Friday, October 19 at 3:15pm, the second on Saturday, October 20 at 3:30pm. I will be there to introduce the screenings along with producer Layne Marie Williams and other members of the cast and crew. For more info, including the full festival schedule, ticket info and showtimes, check out the festival’s website: http://www.adkfilmfestival.org/