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Tag Archives: Mark Frost

Twin Peaks: The Return – A Chronological Timeline

For the past two months I have obsessively watched and rewatched every episode of the still in-progress new season of Twin Peaks. I have seen each of the nine episodes so far either four or five times in full. I have also skimmed back through all of the episodes and watched them in pieces for the sole purpose of creating a chronological timeline to determine exactly when each scene is taking place. Before the new limited series began airing this past May, many fans speculated that the show would be taking place in the year 2014 – in order for Laura Palmer’s promise to Agent Cooper in the Season Two finale (“I’ll see you again in 25 years”) to literally become true. As appealing as that notion might be, a close reading of the show – and Mark Frost’s accompanying Secret History of Twin Peaks novel – reveals that nearly all of the action of the new season actually takes place in September and October of 2016. (When I write “nearly all,” I am barring the major flashbacks to 1945 and 1956 New Mexico in Part Eight and the “extra-dimensional” scenes scattered throughout the season that may be seen as taking place “outside of time.”)

The first tip off that Twin Peaks: The Return begins in September of 2016 comes from The Secret History of Twin Peaks. Frost’s novel begins with a memo written by FBI Deputy Director Gordon Cole (the beloved hard-of-hearing character played by David Lynch on the show) to Special Agent Tammy Preston (a new character played by singer Chrysta Bell) asking her to analyze a secret “dossier” that was recovered from a crime scene in July of 2016. This memo is dated 8/4/2016 and is followed by a notarized response from Preston dated 8/28/16. At the conclusion of Frost’s novel, after Preston has read and annotated the dossier and discovered that its mysterious “compiler” is none other than Major Garland Briggs, there is another notarized statement from her that she doesn’t know “what happened to either Major Briggs or Agent Cooper at this point.” It is not logical that Preston would make this claim in 2016 if the events of the new season had taken place two years previously: Preston, after all, learns a great deal about both Briggs and Cooper (and what happened to them in the 25 years between Seasons Two and Three) in Twin Peaks: The Return.

More evidence comes from the show itself: Bill Hastings’ driver’s license, which can be clearly seen in Part One: My log has a message for you, shows that his birthday is August 15, 1973. In Part Nine: This is the chair, during an instant-classic interrogation scene that is simultaneously both genuinely tragic and genuinely hilarious, Hastings tells Agent Preston that he is 43-years-old, indicating the show takes place after August 15, 2016. It is also during this scene that Hastings, at Preston’s request, writes the day’s date as “9/29,” which, if one counts the days backwards through each episode of the season, means that Bill was arrested on Saturday, September 24. Indeed, when Bill is first interrogated by Buckhorn cop Dave Macklay in Part One, he is asked to account for his whereabouts over the past “three or fours days.” After mentioning that he had been at work on Wednesday, Thursday and Friday, Bill, a high school principal, tells Dave that he had been at home “all day today,” indicating that Bill was arrested on a Saturday.

Contrary to rampant online speculation, Twin Peaks: The Return has so far followed a surprisingly linear chronological timeline. The only times when there appear to be either flash-forwards or flashbacks are either at the very end or the very beginning of certain episodes. This makes sense given that Lynch has stated he had no clue how he was going to “break up” his 18-hour movie into hour-long segments until he and his editors actually started cutting it. The decision to give the series a sense of structural symmetry by ending most episodes with musical performances at the Roadhouse means that Lynch occasionally flashes forward to a nighttime scene at the Roadhouse before “back-tracking” to the afternoon of the same day in the episode that immediately follows. For whatever it might be worth, I hope some of you find this timeline useful:

twin-peaks-episode-1

Part One: My log has a message for you.
Cooper and ??????? in black-and-white room – ?
Day One: Wednesday, September 21

Jacoby receives shovels in Twin Peaks – Day
Sam watches glass box in NYC – Night

Day Two: Thursday, September 22
Ben and Jerry Horne and Beverly at the Great Northern – Day
Insurance salesman and Lucy in Twin Peaks Sheriff’s Dept. – Day
Mr. C goes to Beulah’s in South Dakota – Night
Sam and Tracy watch glass box and are killed in NYC – Night

Day Three: Friday, September 23
Buckhorn police discover corpses of Ruth Davenport and Garland Briggs – Day
Log Lady calls Hawk in Twin Peaks – Night

Day Four: Saturday, September 24
Constance and Macklay in Buckhorn police station – Day
Bill Hastings is arrested in Buckhorn – Day
Hawk, Andy and Lucy in Twin Peaks Sheriff’s Dept. – Day
Hastings is interrogated in Buckhorn police station (and says it’s Saturday) – Day
Macklay searches Bill’s car in Buckhorn – Day

Part Two: The stars turn and a time presents itself.
Day Four: Saturday, September 24 (Cont’d)

Phyllis visits Bill in the Buckhorn jail – Night
Duncan and Roger in Las Vegas – Night
Mr. C, Darya, Ray and Jack in a South Dakota diner – Night
Hawk at Glastonbury Grove in Twin Peaks – Night
Agent Cooper w/ Laura, MIKE and the Evolution of the Arm in the Red Room – ?

Day Five: Sunday, September 25
Mr. C gets a new car from Jack in S.D. – Day
Mr. C kills Darya in a S.D. motel – Night
Agent Cooper, Leland, MIKE and the Evolution of the Arm in the Red Room – ?
Agent Cooper visits glass box / Sam and Tracy are killed – FLASHBACK to Day Two: Thursday night
Sarah Palmer watches television at home – Night
The Chromatics play the Roadhouse – Night

Part Three: Call for help.
Agent Cooper, Naido and “American Girl” in purple purgatory – ?
Day Six: Monday, September 26

Mr. C crashes car in Black Hills of S.D. – Day
Dougie and Jade in Las Vegas – Day
Drugged Out Mother and Son in Las Vegas – Day
Cops find Mr. C in Black Hills – Day
Hawk, Andy and Lucy in Twin Peaks Sheriff’s Dept. – Day
Dr. Jacoby spray-paints shovels in Twin Peaks – Day
Jade drops Cooper off at Silver Mustang Casino in Vegas – Day
Gordon, Tammy and Albert in Philadelphia – Day
The Broken Blossoms play the Roadhouse – Night

Part Four: …brings back some memories.
Day Seven: Monday, September 26 (Cont’d)

Cooper at the Silver Mustang Casino – Night
Cooper gets a ride from casino to Dougie’s home in Las Vegas – Night
Gordon Cole meets w/ Denise Bryson in Philadelphia – Night
Sheriff Truman, Andy, Lucy, Bobby and Wally Brando at Twin Peaks Sheriff’s Dept. – Night

Day Eight: Tuesday, September 27
Cooper has breakfast with Janey-E and Sonny Jim – Morning
Constance and Macklay in Buckhorn – Morning
Gordon, Albert and Tammy drive from airport to Yankton jail – Day
Gordon, Albert and Tammy question Mr. C in jail – Day
Gordon, Albert and Tammy talk at a South Dakota airport – Dusk
Au Revoir Simone plays at the Roadhouse in Twin Peaks- Night

Part Five: Case files.
Part Five begins by backtracking to show us characters that were entirely absent from Part Four
Lorraine talks to hitmen in Vegas – FLASHBACK to evening of Monday, September 26 (it only makes sense that this conversation would follow the missed hit earlier that day)

Day Eight: Tuesday, September 27 (Cont’d)
Constance and Macklay in the Buckhorn morgue – Morning
Mr. C gets breakfast in jail in Yankton – Morning
Steven’s job interview with Mike Nelson in Twin Peaks – Morning
Sheriff Truman and Doris at the Twin Peaks Sheriff’s Dept. – Morning
Janey-E gives Cooper a ride to work in Las Vegas – Morning (this scene has to follow the breakfast scene in Part Four)
Cooper attends work meeting in Las Vegas – Morning
Mitchum brothers beat up the Supervisor of the Silver Mustang Casino in Las Vegas – Day
Car thieves attempt to steal Dougie’s car in Rancho Rosa in Las Vegas – Day
Jade mails Great Northern key from Las Vegas to Twin Peaks – Day
Becky asks Shelly for money in RR Diner in Twin Peaks – Day
Cooper gets off work at Lucky 7 in Las Vegas at 5:30pm – Dusk
Hawk and Andy at the Twin Peaks Sheriff’s Dept. – Night
Dr. Jacoby’s internet infomercial at 7:00pm – Night
Lt. Knox and Col. Davis at the Pentagon in Arlington, VA – Night
Trouble plays at the Roadhouse in Twin Peaks – Night
Tammy studies fingerprints in Philadelphia – Night
Mr. C makes a phone call from Yankton jail – Night
Cooper caresses shoes of statue outside Lucky 7 office in Vegas – Night

Part Six: Don’t die.
Day Eight: Tuesday, September 27 (Cont’d)

Police give Cooper a ride from Lucky 7 office to Dougie’s home in Las Vegas – Night
Albert approaches Diane at Max Von’s Bar in Philadelphia – Night

Day Nine: Wednesday, September 28
Red and Richard meet at a Twin Peaks warehouse – Morning
Carl and Mickey get a ride from the New Fat Trout Trailer Park into Twin Peaks – Morning
Miriam at the RR Diner in Twin Peaks – Morning
Carl witnesses hit and run in Twin Peaks – Morning
Duncan Todd receives message from Mr. C in Las Vegas – Morning
Dougie’s car is towed away from Rancho Rosa in Las Vegas – Morning (This may be a flashback to Tuesday, September 27.)
Ike the Spike receives hit orders in Las Vegas motel – Morning
Cooper meets Bushnell at Lucky 7 in Las Vegas – Morning
Janey-E meets loansharks in park in Las Vegas – Day
Ike the Spike kills Lorraine in her office in Las Vegas – Day
Red cleans truck in Twin Peaks – Day
Hawk finds Laura’s missing diary pages in Twin Peaks Sheriff’s Dept. – Day
Doris visits Sheriff Truman at the Twin Peaks Sheriff’s Dept. – Day
Flash-forward to Sharon Van Etten plays at the Roadhouse – Night

Part Seven: There’s a body all right.
Day Nine Wednesday, September 28 (Cont’d):

Jerry, lost in the woods in Twin Peaks, calls Ben at the Great Northern – Day
Hawk meets Sheriff Truman at the Twin Peaks Sheriff’s Dept. – Day
Sheriff Truman calls Harry from the Twin Peaks Sheriff’s Dept. – Day
Andy meets Farmer at 2:30pm in Twin Peaks – Day (Andy’s watch says it’s the 10th – could be a FLASH-FORWARD to October 10)
Sheriff Truman Skypes with Doc Hayward from the Twin Peaks Sheriff’s Dept. – Day
Lt. Knox meet Macklay at Buckhorn police station – Day
Lt. Knox, Macklay and Constance in the Buckhorn morgue – Day
Gordon and Albert at FBI headquarters in Philadelphia – Day
Gordon and Albert visit Diane at home in Philadelphia – Day
Gordon, Albert, Tammy and Diane fly to Yankton – Day
Diane interviews Mr. C in Yankton prison – Day
Diane talks to Gordon outside of the Yankton prison – Day
Mr. C talks to prison guard in Yankton prison – Day
Andy waits for farmer in Twin Peaks at 5:05pm – Day
Mr. C meets Warden Murphy – Day
Las Vegas police interview Cooper at Lucky 7 office in Las Vegas – Day
Cooper fends off Ike the Spike outside Lucky 7 office in Las Vegas – Dusk
Las Vegas police interview witnesses outside Lucky 7 office – Night
Ben and Beverly at the Great Northern in Twin Peaks – Night
Beverly and Tom at home in Twin Peaks – Night
Jean-Michel Renault at the Roadhouse in Twin Peaks – Night
Mr. C and Ray leave Yankton prison – Night
Bing looks for Billy at the RR Diner in Twin Peaks – Night

Part Eight: Gotta light?
Day Nine: Wednesday, September 28 (Cont’d):

Ray shoots Cooper in rural South Dakota – Night
The Nine Inch Nails perform at the Roadhouse in Twin Peaks – Night
Flashbacks to New Mexico in 1945 & 1956

Part Nine: This is the chair.
Day 10: Thursday, September 29:

Mr. C walks to a South Dakota farm – Morning
Gordon, Tammy, Diane and Albert fly from Yankton to Buckhorn – Day
Mr. C, Hutch and Chantal on a South Dakota farm – Day
Fusco brothers, Bushnell Mullins, Cooper and Janey-E in Las Vegas police dept. – Day
Fuscos arrest Ike the Spike in Las Vegas motel – Day
Andy and Lucy at the Twin Peaks Sheriff’s Dept. – Day
Twin Peaks police visit Betty Briggs – Day
Philadelphia FBI agents visit Buckhorn morgue – Day
Jerry Horne wrestles with his foot in the woods of Twin Peaks – Day
Sheriff Truman, Bobby and Hawk at the Twin Peaks Sheriff’s Dept. – Day
Tammy interrogates Bill in a Buckhorn jail – Day
Ben Horne and Beverly in the Great Northern – Night
Hudson Mohawke and Au Revoir Simone perform at the Roadhouse – Night

Part 10: Laura is the one.
Unusually, the first seven scenes of this episode appear to skim back through the same day as the previous episode before moving on to Friday.
Day 10: Thursday, September 29 (Cont’d):
Red kills Miriam in her Twin Peaks trailer – Day (Miriam says she mailed a letter to Sheriff Truman “today” and we see it arrive later in the episode – on Friday.)
Steven and Becky at the Fat Trout Trailer Park in Twin Peaks – Day
The Mitchum brothers and Candie at home in Las Vegas – Day
Janey-E takes Cooper to the Doctor in Las Vegas (Janey-E is wearing the same clothes she wore at the police station in Part 9.)
The Mitchum brothers watch T.V. (The extended weather forecast tells us it’s Thursday then there is a story about Ike’s arrest, which a news anchor says happened “today.”)
Janey-E and Cooper having sex in their Las Vegas home – Night
Nadine watches Jacoby’s video blog from her Twin Peaks drapery store – Night

Day 11: Friday, September 30
Janey-E drives Sonny Jim to school and Cooper to work in Vegas – Morning
Jerry is lost in the woods of Twin Peaks – Day
Deputy Chad intercepts the mail at the Twin Peaks Sheriff’s Dept. – Day
Richard Horne robs Sylvia Horne at her Twin Peaks home – Day
Anthony Sinclair visits Duncan Todd’s Las Vegas office – Night
Albert has a dinner date with Constance in Buckhorn – Night (FLASHBACK to Thursday, September 29)
Anthony Sinclair visits the Mitchum brothers at the Silver Mustang Casino – Night
The Mitchum brothers at home – Night
Albert and Tammy visit Gordon in his Buckhorn hotel room – Night (FLASHBACK to Thursday, September 29 – Albert references Diane receiving the “Around the dinner table” text that morning)
Ben Horne take a call from Sylvia at the Great Northern Hotel – Night
The Log Lady calls Hawk at the Twin Peaks Sheriff’s Dept. – Night
Rebekah Del Rio performs at the Roadhouse – Night

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Top 10 Home Video Releases of 2014

My top 10 favorite new home video releases of 2014 (and 20 runners up):

10. Ravenous (Bird, UK/USA, 1999, Shout! Factory, Blu-ray)

ravenous

Director Antonia Bird tragically passed away last year at the too-young age of 62. While she is known primarily for the television and theater work she did in her native England, genre movie aficionados have a place in their hearts for her because of her extraordinary work on Ravenous, a cult classic about cannibalism at an American army post in California in the mid-19th century. Incredibly, Bird was brought in at the 11th hour to replace another director but managed to infuse this horror-western hybrid with a unique, darkly comedic tone and bring a welcome female perspective besides (she changed one crucial supporting part from male to female). A film of enormous political and philosophical interest masquerading as a B-movie, Ravenous is one of the key movies of the 1990s and one that looks better with each passing year. In terms of A/V quality, Shout! Factory’s release does the best it can with source materials that appear to not be in ideal shape but I would never want to be without this on Blu-ray.

9. Faust (Murnau, Germany, 1926, Eureka!/Masters of Cinema Blu-ray)

faust

F.W. Murnau’s greatest German movie makes the leap to 1080p with the staggering results one would expect from the Masters of Cinema label. In adapting the old German folk tale about the wager between an archangel and a demon over whether the latter can corrupt the titular alchemist’s soul, the legendary UFA studios gave Murnau a bigger budget and access to greater technical resources than he ever had before. The stylistic virtuosity that resulted — nowhere better evidenced than in a magic-carpet ride through an mind-bogglingly elaborate miniature set — trumped even the masterful mise-en-scene of Murnau’s own The Last Laugh. This Blu-ray edition bundles together the inferior international cut of the film (long thought to be the only one in existence) with Luciano Berriatua’s meticulous restoration of the definitive German domestic version. There is also a great, enthusiastic commentary track by critics David Ehrenstein and Bill Krohn, both of whom are especially good at tracking Faust‘s considerable influence on subsequent filmmakers and films.

8. Mouchette (Bresson, France, 1967, Artificial Eye Blu-ray)

mouchette

A very welcome addition to the growing number of Robert Bresson titles on Blu-ray (Criterion has already released A Man Escaped and Pickpocket) is UK distributor Artificial Eye’s exemplary Mouchette disc. Nadine Nortier, in her only film role to date, is an extraordinary screen presence as the title heroine, a poor, rural teenaged girl who is consistently let down or betrayed by the adults around her: her alcoholic father, her bedridden mother, her unfairly strict teacher and a local poacher who repays the girl’s kindness by raping her. Solace comes only in fleeting moments: walking alone through the woods, riding the bumper cars at a traveling carnival, the chance to comfort her infant sister, etc. Jean-Luc Godard once remarked that Bresson’s previous film, Au Hasard Balthazar, was “the world in an hour-and-a-half,” a remark that seems equally true of Mouchette. Both films have a shattering impact because of the director’s unique ability to elicit empathy for a marginalized protagonist while also ruthlessly avoiding sentimentality. The film-like textures of Artificial Eye’s transfer make this the version that you need to own.

7. The Epic of Everest (Noel, UK, 1924, BFI Blu-ray)

epic

“Since the beginning of the world men have battled with Nature for the mastery of their physical surroundings. Such is their birthright, and such is their destiny.” So reads a quintessentially British — and vaguely imperialist — opening title card in this mesmerizing documentary from explorer/filmmaker Captain J.B.L. Noel. Newly restored and released on Blu-ray by the British Film Institute, this masterpiece is the official record of George Mallory and Sandy Irvine’s ill-fated 1924 attempt to scale the world’s highest mountain. The film’s focus, refreshingly, is not on the personalities of the men involved but on the arduous task of mountain-climbing itself; most of its power stems from shots of wee man, often not more than a black speck on the horizon, crawling all over the overwhelmingly indifferent, ice-capped peaks of Mount Everest. Some of Noel’s astonishing montage sequences feature shots where the most dramatic thing happening is the way drifting clouds cast shadows over mountaintops, images that resemble moving paintings in their abstract beauty. The best such scene is arguably the last, after the two men spearheading the trek have perished; the final images of Everest, tinted blood-red, conjure up the futility of their mission with an almost unbearable poignance.

6. The Cabinet of Dr. Caligari (Wiene, Germany, 1920, Kino/Lorber Blu-ray)

caligari

As someone who first discovered many classics of world cinema via VHS tapes of poor quality public-domain prints in the early 1990s, it has been a great joy to see the image and sound quality of certain titles improve over the years — courtesy of new restorations and new advancements in home-video technology. The most impressive instance of an absolutely jaw-dropping upgrade in a movie’s quality over time might be Robert Wiene’s masterpiece of psychological horror The Cabinet of Dr. Caligari. Long seen in faded, scratchy and often incomplete prints, the F.W. Murnau Foundation’s new restoration — based on the original camera negative — renders a ridiculous amount of never-before-seen detail in the film’s striking visual design, including the Expressionist makeup on the actors’ faces and even paint-brush strokes on the intentionally artificial-looking sets around them. I’m also a big fan of the new techno-ish score by DJ Spooky though Kino/Lorber also thankfully offer a more “traditional” soundtrack option for silent-film purists. The Cabinet of Dr. Caligari‘s influence is still very much alive (Martin Scorsese’s Shutter Island, John Carpenter’s The Ward and Tim Burton’s entire career would be unthinkable without it). It was the big bang of both German Expressionist and horror moviemaking and if you care at all about cinema, you need to own this.

5. Hail Mary (Godard, Switzerland/France, 1984, Cohen Media Group Blu-ray)

hail

Cohen Media Group did the world a big favor by releasing Blu-rays of two of the best films from Jean-Luc Godard’s thorny post-1967 career: 1984’s sublime religious allegory Hail Mary and 1996’s ambitious and political For Ever Mozart. While For Ever Mozart has the better audio commentary track (film critic James Quandt’s invaluable insights into Godard in general and this film in particular, delivered in a conversational style, constitute the best such commentary track I’ve ever heard), I’m ultimately going with Hail Mary as the more significant release simply because the film itself is more significant. Controversial upon its initial release, Hail Mary re-imagines the story of the birth of Christ in a modern setting where Mary plays high-school basketball and works at her father’s gas station, Joseph drives a taxi and “Uncle Gabriel” arrives via jet plane to deliver the annunciation. While this may sound irreverent — and the film does indeed feature Godard’s characteristic absurdist humor — the end result is as serious and deeply spiritual as anything Robert Bresson or Carl Dreyer ever did. The best of the special features here is Anne-Marie Mieville’s, The Book of Mary, a terrific companion short about a young girl grappling with her parents’ divorce.

4. The Nutty Professor: 50th Anniversary (Lewis, USA, 1963, Warner Bros. Blu-ray)

nutty

Warner Brothers finally gave Jerry Lewis the respect he deserves with this lavish box set commemorating the 50th anniversary, albeit one year late, of the master’s most enduring creation. The Nutty Professor, a surreal/comedic take on the Dr. Jekyll and Mr. Hyde legend in which Lewis transforms from the title nebbish into a satire of his own real life ladies-man persona named “Buddy Love,” looks better and funnier than ever. Lewis’s bold use of color in particular (dig that crazy purple!) benefits from the Blu-ray upgrade. Among the treasure trove of extras are DVDs of Frank Tashlin’s minor Lewis-starring comedy Cinderfella (1960), Lewis’s second film as a director, the self-reflexive masterpiece The Errand Boy (1961), as well as a CD of hilarious prank phone calls, “Phoney Phone Calls 1959-1972,” that puts the Jerky Boys to shame. I was also grateful for the new documentary short Jerry Lewis: No Apologies, which offers a snapshot of the still-sharp 87-year-old comedian in concert and in conversation with family and friends. If you do not think this live-action cartoon is hilarious, then I do not want to be your friend.

3. The Essential Jacques Demy (Demy, France, 1961-1982, Criterion Blu-ray)

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Jacques Demy has always been the most underrated of the major French New Wave directors; the Criterion Collection’s essential new box set devoted to six of his best features (plus the usual welcome smattering of bonus material) will hopefully go a long way towards correcting that. Included are Demy’s seminal debut Lola (1961), his doomed romance about gamblers Bay of Angels (1963), a dazzling restoration of his best-known film The Umbrellas of Cherbourg (1964), my personal favorite The Young Girls of Rochefort (1967), the subversive fairy tale Donkey Skin (1970), and the darkly beautiful, scandalously unknown movie opera A Room in Town (1982). To watch these films together is to realize how unfair it is that Demy has somehow accrued the reputation of being both lightweight and a sentimentalist. His penchant for the musical genre (even when directing non-musicals) and his love of candy-box colors mask what often amounts to a bittersweet if not outright tragic worldview. Among the extras are two excellent feature-length docs by Demy’s wife Agnes Varda (a major director in her own right): The Young Girls Turn 25 (1993) and The World of Jacques Demy (1995).

2. Twin Peaks: The Entire Mystery (Lynch, USA, 1990-1992, Paramount Blu-ray)

lynch

This extravagant box set is phenomenal for so many reasons: it contains all 30 episodes of David Lynch and Mark Frost’s beloved cult-classic television show from 1990-1991, plus Lynch’s 1992 feature film prequel Twin Peaks: Fire Walk with Me (much derided at the time but clearly one of his greatest achievements when viewed today), plus the legendary “deleted scenes” from Fire Walk with Me, which have been a holy grail for Peaks aficionados for over 20 years. Best of all: because Twin Peaks was originally shot on 35mm film stock, this Blu-ray sports an impeccable 1080p transfer that perfectly captures the show’s buttery-warm color palette while revealing way more visual detail than anyone ever saw when the series first aired. Lynch and Frost’s daring “Blue Velvet crossed with a soap opera” formula was ahead of its time in the early 90s — the weirdest thing to ever play on network television — doomed to end prematurely but paving the way for today’s current “golden age of T.V.” (David Chase has acknowledged its influence on his own game-changing Sopranos). Fortunately, this box is not quite the entire mystery; Twin Peaks will be rebooted on Showtime in 2016 — where Lynch and Frost can take advantage of television freedoms they never dreamed possible 25 years ago.

1. Intégral Jacques Tati (Tati, France, 1949-1974, StudioCanal Blu-ray)

playtime

A lot of film writers on this side of the Atlantic have anointed the Criterion Collection’s “Complete Jacques Tati” Blu-ray set as the home video release of the year but I’m going to give the nod to Studio Canal France’s similar release instead. Criterion’s set dropped in late October but Studio Canal had already put out an almost identical (albeit “Region B-locked) set back in February, more than eight months previously. As great as Criterion’s “visual essays” and other supplements undoubtedly are, the most important aspect in a box set of this magnitude is its “completeness” in terms of the films themselves and in this regard there is no difference between the Studio Canal and the Criterion: both of them bundle together all of the Gallic comedic giant’s short and feature-length films, most of the latter of which are available in multiple versions. What a joy it was to revisit Tati’s entire filmography in such superb quality and to witness the evolution of his artistry in chronological order — beginning with the uproariously funny (and still underrated) Jour de Fete, climaxing with the staggeringly ambitious Play Time (one of the greatest movies ever made by anyone) and ending with the poignant, made-for-TV Parade (which saw the actor/director returning to his music-hall roots). Let’s hope Criterion doesn’t wait so long to announce their new titles in the future. Full review here.

Runners-Up (Alphabetical by Title):

11. Ali: Fear Eats the Soul (Fassbinder, Germany, 1974, Criterion Blu-ray)
12. All That Heaven Allows (Sirk, USA, 1955, Criterion Blu-ray)
13. L’avventura (Antonioni, Italy, 1960, Criterion Blu-ray)
14. Double Indemnity (Wilder, USA, 1944, Universal Blu-ray)
15. F for Fake (Welles, USA, 1973, Criterion Blu-ray)
16. For Ever Mozart (Godard, Switzerland/France, 1997, Cohen Media Group Blu-ray)
17. The Freshman (Newmeyer/Taylor, 1925, Criterion Blu-ray)
18. The Long Goodbye (Altman, USA, 1973, Kino/Lorber Blu-ray)
19. Los Angeles Plays Itself (Anderson, USA, 2003/2014, Cinema Guild Blu-ray)
20. Love Streams (Cassavetes, USA, 1984, Criterion Blu-ray)
21. Master of the House (Dreyer, Denmark, 1925, Criterion Blu-ray)
22. Mauvais Sang (Carax, France, 1986, Kino/Lorber Blu-ray)
23. My Darling Clementine (Ford, USA, 1946, Criterion Blu-ray). More here.
24. Only Angels Have Wings (Hawks, USA, 1939, TCM/Columbia Blu-ray)
25. Out of the Past (Tourneur, USA, 1947, Warner Bros. Blu-ray)
26. Pickpocket (Bresson, France, 1959, Criterion Blu-ray)
27. Spies (Lang, Germany, 1928, Eureka!/Masters of Cinema Blu-ray)
28. Touch of Evil (Welles, USA, 1958, Universal Blu-ray)
29. A Touch of Sin (Jia, China, 2013, Kino/Lorber Blu-ray)
30. The Wind Will Carry Us (Kiarostami, Iran, 1999, Cohen Media Group Blu-ray)


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