I’m breaking the list of my favorite home video releases from 2013 into two separate blog posts. Below are numbers 10 through 2 from my top 10 list (each with a capsule review), as well as a list of 20 runners-up favorites. Next week’s post will be devoted entirely to my numero uno favorite home video release of the year — for reasons that will become clear in due time.
10. Dracula (Fisher, UK, Lions Gate UK Blu-ray)
Hammer Studios’ 1958 production of Terrence Fisher’s Dracula is one of the most influential horror movies of all time — it was the first film adaptation of Bram Stoker’s novel to endow the title Count with fangs, as well as the first to slather the now-familiar story with both blood-red paint and a healthy dose of eroticism. These latter aspects come through better than ever on Lions Gate UK’s new Blu-ray, which happily restores about 20 seconds of previously unseen sensuality and gore. (The fascinating story of how this missing footage was recently unearthed in Japan is included in a documentary among the disc’s copious extras.) If you love this movie, you need to own this definitive version. If you’ve never seen it, I would recommend a blind-buy; it features, after all, the best ever screen Dracula (the darkly charismatic Christopher Lee) pitted against the best ever Van Helsing (the morally rigid Peter Cushing). What more do you need? Full review here: https://whitecitycinema.com/2013/05/06/blu-hammer/
9. Underground (Asquith, UK, BFI Blu-ray)
In recent years, the British Film Institute seems to have spearheaded an effort to raise awareness of silent British cinema in general, which I’ve been delighted to find is of interest beyond the earliest masterpieces of Alfred Hitchcock. One of my most pleasant film-related surprises of the past year was discovering the great silent movies of Anthony Asquith, an English director better known for his less-exciting sound-era work. BFI’s home video division released a revelatory Blu-ray of Asquith’s second film, 1928’s Underground, back in June. The plot, a love triangle between a shop girl, a nice-guy subway worker and a douchebag power-plant employee, allows Asquith to indulge in some wondrous cinematic conceits — including astonishingly fluid crane shots during a protracted climactic chase scene — and offers a fascinating, documentary-like glimpse of “ordinary” Londoners from a bygone era besides. The image has been painstakingly restored (as evidenced by a short doc included among the extras) and the new orchestral score by Neil Brand sounds brilliant in a 5.1 surround-sound mix. Can the Blu-ray release of the same director’s even better A Cottage on Dartmoor, a late silent from 1929, be far behind?
8. Black Sabbath (Bava, Italy, Arrow Blu-ray)
Did the three best vampire movies of all time receive Blu-ray releases in 2013? In addition to Kino’s Nosferatu release (on my runner-up list below) and Lions Gate UK’s Dracula release (number 10 above), UK-based Arrow Video dropped a superb version of Mario Bava’s 1963 horror anthology Black Sabbath, featuring “The Wurdalak,” the only film in which the legendary Boris Karloff played a bloodsucker. The other stories included here are the proto-giallo “The Telephone,” and “A Drop of Water” (the source of the unforgettable and terrifying dummy/corpse/prop pictured above). Arrow’s extras-laden Blu-ray includes two radically different versions of the film (the European and American cuts), audio commentary by Bava expert Tim Lucas, a handsome collector’s booklet, a DVD of the movie, and more. Most importantly, it is the most faithful home video transfer Black Sabbath has ever received, which is so crucial for a director with as precise a sense of color-timing as Bava (Kino’s Blu-ray, also released this year, skews unnaturally green by comparison). A must-own for Bava fans.
7. Foolish Wives (Von Stroheim, USA, Kino Blu-ray)
Kino/Lorber and the Blu-ray format have proven to be a match made in heaven, and the company’s release of Erich von Stroheim’s masterpiece Foolish Wives is one of their finest releases to date. The Stroheim legend in many ways begins with this 1922 super-production, widely credited as the first “million dollar movie.” A delightfully decadent melodrama starring Stroheim himself as a monocled fake-aristocrat out to seduce and swindle the wife of an American diplomat stationed in Monte Carlo, Foolish Wives was brutally cut down by MGM executives from multi-hour epic status to a runtime of less than two hours for its original theatrical release. According to Kino’s press materials, the Blu-ray was “mastered in HD from an archival 35mm print of the 1972 AFI Arthur Lenning restoration” and runs 143 minutes. The quality varies, sometimes from shot to shot, as this restoration was clearly cobbled together from prints of varying quality but, my God, am I glad to have this. With its “innocents abroad” characters, nefarious criminal plots involving devious impostors, and potent, barely-concealed eroticism, this is as close as the American cinema ever came to the serials of Louis Feuillade. Also included as a very welcome bonus is The Man You Love to Hate, an informative, feature-length documentary on Stroheim made by Patrick Montgomery in 1979, which has also been newly remastered in HD. Now where’s Greed?
6. Tabu: A Story of the South Seas (Murnau, Germany, Masters of Cinema Blu-ray)
I had never bothered picking up the Eureka/Masters of Cinema DVD of F.W. Murnau’s great final film and was therefore only previously familiar with the serviceable Milestone DVD, which is both missing footage and in the wrong aspect ratio compared to the restoration that has served as the basis for Eureka/MoC’s releases. It was therefore quite eye-opening for me to see the German maestro’s gorgeous tone-poem of a movie as close as possible to the way it was meant to be seen via this new Blu-ray. Murnau had become disillusioned with both the mainstream German and American film industries when he went to Tahiti to independently make this tale of doomed love set among native islanders. He couldn’t have known it would be his last production (he died in a car accident shortly before its premiere) but the movie in general — and its haunting final scene in particular — serve as a fitting epitaph for the career of the man known as the best director to have only worked in the silent era. The images on Masters of Cinema’s Blu-ray have a silky, silvery quality that fully does justice to the lyrical intentions of Murnau and his cinematographer Floyd Crosby (who deservedly won an Oscar for his work on this film).
5. Intolerance (Griffith, USA, Cohen Media Group Blu-ray)
In less than a year, Cohen Media Group has established itself as a major new player in the U.S. home video market. Among their welcome 2013 releases were invaluable editions of Luis Bunuel’s Tristana and Raoul Walsh’s Thief of Bagdad but my absolute favorite title in their catalogue is this stellar new Blu-ray of D.W. Griffith’s Intolerance. One of cinema’s great mad follies, this quartet of stories about “love’s struggle through the ages,” which intercuts boldly and freely between different countries and centuries in order to show the tragic universality and timelessness of the title subject, looks as mind-blowingly fresh today as it must have in 1916. What’s new is Cohen’s admirable adherence to Griffith’s final cut of the film (the great director continued to tweak it well into the 1920s), which runs about 30 minutes shorter than the previous Kino DVD version; in other words, you definitely want to pick this up but don’t get rid of your old DVD either. Among Cohen’s many welcome extras are two of the segments edited by Griffith himself into stand-alone features (both of which feature footage not included in Intolerance). Essential.
4. The Quiet Man (Ford, USA, Olive Films Blu-ray)
There were actually quite a few John Ford movies that received their Blu-ray and/or DVD debuts in 2013. The best of them, in terms of image quality, is undoubtedly Olive Films’ unimpeachable Blu-ray of Ford’s beloved Ireland-set romantic comedy The Quiet Man. As I wrote in my appreciation of the recent flurry of Ford releases last week: “This movie has never looked good on VHS or DVD, the old video transfers of which were soft and blurry and sported sadly faded color (a particularly offensive crime since Ford insisted on shooting in Technicolor, the premiere color process of the day, over the objections of Republic Pictures boss Herbert Yates, who had patented his own color process — the cheaper, more lurid TruColor). So Olive Films did the world a huge favor by taking Ford’s single most personal film (and the only passionate love story he ever directed) and restoring it to something approximating its original luster.” Ford’s photography of the red-haired, blue-eyed Maureen O’Hara, herding sheep barefoot in an impossibly green, grassy field, is my idea of visual heaven, a claim I don’t think I would have made until I saw this particular transfer, which was made from the original camera negative. More here: https://whitecitycinema.com/2013/12/09/2013-the-year-of-the-ford/
3. The Big Parade (Vidor, USA, Warner Blu-ray)
MGM’s prestigious production of King Vidor’s 1926 anti-war epic was the most commercially successful film of the entire silent era. For some reason (undoubtedly related to “rights issues”) it has never been released on DVD in the States but finally received its belated digital debut via Warner Bros.’ Blu-ray this past fall. And it was worth the wait: this is the single best-looking release of any silent movie I’ve ever seen on any home video format (besting even the superb Eureka/Masters of Cinema release of F.W. Murnau’s City Girl from a few years ago). I’ve never seen a silent film — and I watch them all the time — look so pristine and so blemish-free. For God’s sake, I own Blu-rays of movies originally made in the 21st century that look worse than this (ahem, The Assassination of Jesse James by the Coward Robert Ford). The movie, a unique blend of broad comedy, heartfelt romance and tear-jerking tragedy, follows the experiences of John Gilbert’s American soldier before, during and after World War I, and is absolutely worthy of this impeccable restoration (allegedly taken from the original camera negative). One hopes that this release will be successful enough to encourage Warner Bros. to release the other classic MGM silents they control — including Vidor’s supreme masterpiece, The Crowd.
2. Three Films By Roberto Rossellini Starring Ingrid Bergman (Rossellini, Italy, Criterion Blu-ray)
Roberto Rossellini had already revolutionized the movies with his pioneering Italian Neorealist efforts in the 1940s before he single-handedly gave birth to the modern European art cinema with the second phase of his career — a cycle of five films starring his new paramour Ingrid Bergman — in the early 1950s. The Criterion Collection’s gorgeous, extras-stacked box set collects the three best Rossellini/Bergmans into one essential package. In Stromboli, Bergman is a Latvian woman who marries an Italian fisherman in order to escape a refugee camp after WWII. She soon finds life intolerable in his small village, which is located at the foot of (and threatened by) a large, metaphor-rich volcano. Europe ’51 explores the possibility of sainthood in the modern world as Bergman plays a mother who, grieving over the death of her young son, tries to live like a contemporary St. Francis of Assissi but winds up in a mental hospital instead. This shattering film features what may be Bergman’s best performance. Journey to Italy is quite simply one of the finest movies ever made: Bergman and George Sanders are an eight-years-married couple, the Joyces, who travel to Italy to settle the estate of a recently deceased “Uncle Homer.” With idle time on their hands for the first time in years, their marriage crumbles. Just as James Joyce posited Ulysses as a modern psychological epic (and perhaps the only way to fittingly redo Homer’s Odyssey in the 20th century), Rossellini finds a filmic equivalent of Joyce’s prose (made explicit by a nod to “The Dead”) in a story where nothing happens on the level of “story” but everything happens inside of his characters. The result paved the way for, among other things, L’avventura, Le Mepris, Certified Copy and Before Midnight. Regardless of who you are, you should own this.
1. To Be Continued . . .
20 Runners-Up (Alphabetical By Title):
11. Before Midnight (Linklater, USA, Sony Blu-ray)
12. The Best Years of Our Lives (Wyler, USA, Warner Blu-ray)
13. City Lights (Chaplin, USA, Criterion Blu-ray)
14. Dr. Mabuse, der Spieler (Lang, Germany, Masters of Cinema Blu-ray)
15. The Hitch-Hiker (Lupino, USA, Kino Blu-ray)
16. How Green Was My Valley (Ford, USA, Fox Blu-ray) Full review here: https://whitecitycinema.com/2013/03/11/how-blu-was-my-valley/
17. John Cassavetes Five Films Box Set (Cassavetes, USA, Criterion Blu-ray)
18. Laura (Preminger, USA, Fox Blu-ray)
19. The Life of Oharu (Mizoguchi, Japan, Criterion Blu-ray)
20. The Man Who Shot Liberty Valance (Ford, USA, Paramount UK Blu-ray) More here: https://whitecitycinema.com/2013/12/09/2013-the-year-of-the-ford/
21. A Man Escaped (Bresson, France, Criterion Blu-ray)
22. Nosferatu (Murnau, Germany, Kino Blu-ray)
23. Rebel Without a Cause (Ray, USA, Warner Blu-ray)
24. Safety Last! (Newmeyer/Taylor, USA, Criterion Blu-ray)
25. The Thief of Bagdad (Walsh, USA, Cohen Media Group Blu-ray)
26. Tokyo Story (Ozu, Japan, Criterion Blu-ray)
27. Tristana (Bunuel, Spain, Cohen Media Group Blu-ray)
28. Two-Lane Blacktop (Hellman, USA, Criterion Blu-ray)
29. White Heat (Walsh, USA, Warner Blu-ray)
30. Zero Dark Thirty (Bigelow, USA, Sony Blu-ray)