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The Last Ten Movies I Saw

1. A History of Violence (Cronenberg)
2. JSA: Joint Security Area (Park)
3. Roy’s World: Barry Gifford’s Chicago (Christopher)
4. To Sleep with Anger (Burnett)
5. The Lady from Shanghai (Welles)
6. Chronicle of Anna Magdalena Bach (Straub/Huillet)
7. Canyon Passage (Tourneur)
8. Tiger Milk (Wieland)
9. Bicycle Thieves (De Sica)
10. The Beach Bum (Korine)

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About michaelgloversmith

Filmmaker, author and Film Studies instructor. View all posts by michaelgloversmith

One response to “The Last Ten Movies I Saw

  • skorecki

    not bad, but not as good as skorecki’s latest ten movie makers: straub/huillet (moïse et Aaron), (great) balls of fire (h hawks), Godard (numéro 2, sauve qui peut/la vie/bande à part), Eric rohmer (pauline à la plage), skorecki (cinéphiles 2/Eric a disparu, les Cinéphiles (le retour de jean) et le juif de Lascaux, 2017), robert bresson (les anges du pêché, 1943), Buffy contre les vampires (1992’s josh Whedon), ford/mizoguchi (man who shot liberty valance/la rue de la honte), jean renoir/julien duvivier /maigret (la nuit du carrefour/ 1932/la tête d’un homme, 1933), sachant que de ces deux films; c’est le duvivier le plus fulgurant & le plus beau.
    question du jour: how come France’s greatest cineast, jean renoir, does not equal young/old tâcheron (preminger’s equivalent Bad man bad anger eating his cold noodles in his deserted set) like Julien duvivier
    why is cinema not an art form?
    (à suivre à la FEMIS dans sept mois et à la cinémathèque, lors de l’intégrale skorecki (non-intégrale) à la rentrée)
    best luck to you, in your non cinema future
    LS

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