I reviewed Robert Greene’s Bisbee ’17 for Time Out Chicago. It screens this Saturday, April 7, at the Davis Theater as part of the Doc10 Film Festival (and will be followed by a Skype Q&A with Robert). Full capsule below:
The Doc10 film festival, curated by Anthony Kaufman (also the programmer of the documentary section of the Chicago International Film Festival) has become, in just three short years, one of the best places to catch the local premieres of the world’s best non-fiction filmmaking. Since 2015, Doc10 has played host to the work of some of the giants of the documentary form, such as Albert Maysles, Barbara Kopple and Werner Herzog, as well as important movies by lesser-known filmmakers, such as last year’s harrowing Death in the Terminal by the Israeli directors Tali Shemesh and Asaf Sudry. This year’s lineup is as eclectic as ever but documentary enthusiasts should make it a point to see Bisbee ’17, which stands as the masterpiece to date by the enormously talented young director Robert Greene.
Fresh off its Sundance World Premiere, Bisbee ’17 tells the fascinating true story of a labor strike and the subsequent mass deportation of 1,200 striking workers (half of them Mexican or Eastern European immigrants) that occurred in the copper mining town of Bisbee, Arizona, just miles from the Mexico border, in 1917. No mere history lesson, Greene’s film marks the centenary of this tragic event by restaging the deportation using contemporary Bisbee denizens, many of whom descend from exactly the kind of characters they’re portraying. Performative subjects within a non-fiction context have been a constant in Greene’s work for years but Bisbee ’17 is particularly interesting in how it not only grows out of but becomes the flip side of his last movie, 2016’s controversial Kate Plays Christine. That film—cold, terrifying and brilliant—ended with its protagonist, the actress Kate Lyn Sheil, knowing seemingly less about the character she was playing (suicidal news anchor Christine Chubbuck) in a film-within-the-film, than when it began. The warmhearted Bisbee ’17, which ultimately centers on an immensely likable protagonist—a gay Hispanic man (Fernando Serrano) who appears to undergo a genuine political awakening alongside of his “character”—feels as though its provocative reenactment precipitates a profound reckoning, and ultimately understanding, for a good many of its subjects.
The Doc10 screenings take place at the Davis Theater between Thursday, April 5 and Sunday, April 8. Bisbee ’17 screens on Saturday, April 7 and is followed by a Skype Q&A with Greene. For more information, visit the Doc10 website.