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Daily Archives: April 21, 2017

The 33rd Chicago Latino Film Festival – Week One

The following piece should appear at Time Out Chicago sometime soon.

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What to see during the first week of the Chicago Latino Film Festival

The 33rd Chicago Latino Film Festival kicked off last night, April 20, and runs through Thursday, May 4. This year’s edition of the long-running fest features a typically impressive and eclectic lineup of Latino-themed movies from Europe, South and North America. My best bets for the festival’s first week are Such is Life in the Tropics and The Empty Box.

One of the most pleasant surprises of CLFF in recent years was the local premiere of Claudia Sainte-Luce’s The Amazing Catfish in 2014. The young Mexican director follows up that auspicious debut feature with another visually stunning family drama, this one even more personal in nature: Sainte-Luce not only wrote and directed The Empty Box but also plays the lead role of Jazmin, a diner waitress in Mexico City who must learn to care for her estranged father, a Haitian immigrant named Toussaint (Jimmy Jean-Louis), after he is diagnosed with vascular dementia. The film is apparently closely based on Sainte-Luce’s own experiences and the way in which her character must learn to become “parent” to her father has the painful ring of authenticity. What really elevates this otherwise modest two-hander though are the visual beauty of the extremely dark, naturally lit interiors as well as the extensive flashbacks to Toussaint’s past, which feel like a reckoning born of compassion on the part of the filmmaker.

Sebastian Cordero’s Such is Life in the Tropics is a superb political thriller that intertwines several compelling storylines set in Guayaquil, Ecuador: one involves an unscrupulous lawyer (Andres Crespo) trying to negotiate the eviction of a settlement of squatters on behalf of a wealthy landowner, while another involves the accidental shooting of a German tourist — and its subsequent cover-up – by an even wealthier soccer impresario (Erando Gonzalez). The film’s diverse portrait of class warfare in contemporary Ecuadorian society crystallizes in another subplot – a Romeo and Juliet-like love story between the lawyer’s stepdaughter and the son of one of the squatters. The way writer/director Cordero intercuts between all of these characters is both suspenseful and masterful although the way he resolves the various narrative threads is a little too tidy for my taste. Still, you should see this.

The Empty Box screens on Thursday, April 27 and Saturday, April 29. Such is Life in the Tropics screens on Thursday, April 27 and Monday, May 1. For more info visit the Chicago Latino Film Festival’s official site.

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