Episode 15 of the White City Cinema Radio Hour is now online! It features an extended dialogue between me and Chicago Film Critics Association members Ian Simmons (Kicking the Seat) and David J. Fowlie (Keeping It Reel) about the lineup of the recently concluded Chicago International Film Festival. We discuss the state of the festival in general and each talk up our two “best bets” for the 2016 edition. I then welcome Chicago-based writer/director Nick Alonzo, who discusses his no-budget feature Shitcago, which recently became available to stream for free online via Emphasis Entertainment. You can listen to the episode on the Transistor Chicago website.
October 30, 2016
WCCRH Episode 15: CIFF 2016 and SHITCAGO
About michaelgloversmith
Filmmaker, author and Film Studies instructor.
View all posts by michaelgloversmith
This entry was posted on Sunday, October 30th, 2016 at 10:12 pm and posted in Chicago Movies, Interviews. You can follow any responses to this entry through the RSS 2.0 feed.
This site uses Akismet to reduce spam. Learn how your comment data is processed.
What others are saying about Michael Smith and White City Cinema:
"Clearly one of the best writers and critics on the internet" - Marilyn Ferdinand
"I find it difficult to think you teach film and suggest there's one milligram of connection between (Harmony) Korine and Wong Kar-Wai: there is none" - Jon Jost
"A wonderful instructor" - Susan Doll
"Excellent" - David Ehrenstein
"Very very interesting blog" - Marie Rivière
-
Join 2,553 other subscribers
My Latest Tweets
Tweets by whitecitycinemaCategories
- All Best of Lists
- Best Directors – All Time
- Best Directors – Living
- Best Films – All Time
- Best Films of 2009
- Best Films of 2010
- Best Films of 2011
- Best Films of 2012
- Best Films of 2013
- Best Films of 2014
- Best Films of 2015
- Best Films of 2016
- Best Films of 2017
- Best Films of the 1920s
- Best Films of the 1930s
- Best Films of the 1940s
- Best Films of the 1950s
- Best Films of the 1960s
- Best Films of the 1970s
- Best Films of the 1980s
- Best Films of the 1990s
- Best Films of the 2000s
- Best Films Pre-1920
- Blu-ray/DVD Reviews
- Celluloid Flashbacks
- Chicago Movies
- Early Cinema
- Essays
- Film Festivals
- Film Reviews
- He Said/She Said
- Historical Movement / National Cinema Primers
- Holiday Posts
- Interviews
- My Home Video Library
- Obituaries
- Odds and Ends
- Other Lists
- Photo Tours
- Reminiscences
- The Last Ten Movies I Saw
- Uncategorized
- All Best of Lists
- Abbas Kiarostami Agnes Varda Alain Resnais Alfred Hitchcock A Man Escaped Apichatpong Weerasethakul Bela Tarr Bob Dylan Bruno Dumont Carl Dreyer Chantal Akerman Charlie Chaplin Citizen Kane Claire Denis Clare Cooney Claude Chabrol Clint Eastwood D.W. Griffith David Cronenberg David Fincher David Lynch E.A. Dupont Eric Rohmer F.W. Murnau Fritz Lang Holy Motors Hong Sang-Soo Hou Hsiao-Hsien Howard Hawks Jacques Rivette Jafar Panahi Jean-Luc Godard Jean Renoir Jean Vigo Jia Zhang-Ke John Ford Johnnie To Josef von Sternberg Kathryn Bigelow Kenji Mizoguchi Leo McCarey Leos Carax Louis Feuillade Luis Bunuel Manoel de Oliveira Martin Scorsese Melika Bass Mercury in Retrograde Michael Glover Smith Nuri Bilge Ceylan Olivier Assayas Orson Welles Paul Thomas Anderson Pedro Costa Psycho Quentin Tarantino Rainer Werner Fassbinder Raoul Walsh Raul Ruiz Rendezvous in Chicago Richard Linklater Rob Christopher Robert Altman Robert Bresson Roberto Rossellini Roman Polanski Sam Fuller Sergei Eisenstein Terrence Malick The Social Network Twin Peaks Un condamné à mort s'est échappé Wong Kar-Wai Yasujiro Ozu Zero Dark Thirty
Chicago links (mostly movie-related)
- Adam Selzer
- At Last, Okemah!
- Beguiled Cinema
- Ben Sachs
- Celluloid Chicago
- Chicago Cinema Circuit
- Chicago Cinema Society
- Chicago DIY Film
- Chicago Filmmakers
- Chicago Independent Film Critics Circle
- Chicago International Film Festival
- Chicago International Movies and Music Festival
- Chicago Latino Film Festival
- Chicago Nitrate
- Chicago Reader
- CINE-FILE
- Cinematic Coffee
- Cool Apocalypse
- Dan Pal
- Ebert Presents
- Elevated Films
- Everything is Terrible
- Exploring Feminisms
- Facets Multimedia
- Ferdy on Films
- Film Monthly
- Filmspotting
- Flickering Empire
- Fred Camper
- Gene Siskel Film Center
- HollywoodChicago.com
- Ignatiy Vishnevetsky
- Joel Wicklund
- Jonathan Rosenbaum
- Kevin B. Lee
- Melika Bass
- MGS at the Chicago Reader
- MGS at Time Out Chicago
- MGS Letterboxd Account
- MGS on the imdb
- Mia Park
- Michael Phillips
- Music Box Theatre
- New City Film/Ray Pride
- Nightingale Theatre
- Northwest Chicago Film Society
- Odd Obsession
- ReelChicago.com
- Rob Christopher
- Roger Ebert
- Screen Magazine
- Screen Vistas
- Seth McClellan
- South Side Projections
- spiderbug
- The Catastrophe
- The Discreet Bourgeois
- The Minx
- The Moving World
- The Onion's A.V. Club
- The Underground Multiplex
- Time Out Chicago Film
- White City Cinema Radio Hour
Movie links (not specifically Chicago-related)
- Cinema-Scope Magazine
- Classic Art Films
- Criterion Collection
- Critics Round Up
- Dave Kehr
- David Bordwell/Kristin Thompson
- desistfilm
- DVD Beaver
- Eureka!/Masters of Cinema
- Fandor/Keyframe
- Film Comment
- Girish Shambu
- Glenn Kenny
- Indiewire/Press Play
- J Hoberman
- Justin Cameron
- La Furia Umana
- Lola Journal
- Movie City News
- No Budge
- Pierre Kattar
- Sight & Sound
- Susan Doll
- The Cine-Files
- The Cinephiliacs
- The Seventh Art
- Vitagraph American
- Wallflower Press
Archives
- May 2023
- March 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
COPYRIGHT
© Michael Glover Smith, whitecitycinema.com, michaelgloversmith.wordpress.com, 2010-2017. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts, pictures and links may be used, provided that full and clear credit is given to Michael Glover Smith and whitecitycinema.com with appropriate and specific direction to the original content.
White City Cinema 
Leave a Reply