My wife recently traveled to San Francisco for work and I tagged along for the ride. While she had to spend the better part of two days attending conferences, I decided to embark on a self-guided tour of prominent locations from Alfred Hitchcock’s Vertigo. Have smartphone with GPS, will travel!
The first Vertigo location I visited was the most impressive — the Misión San Francisco De Asis (popularly known as the “Mission Dolores”), a small church that was built in the late 18th century and whose appearance has remained virtually unchanged over the centuries.
. . . and into the adjacent cemetery. This is one of the most haunting places I’ve ever been; none of the tombstones date from more recently than the 19th century and the plentiful trees, statues, rose bushes and hazy lighting give the place an ethereal quality well-suited to Hitchcock’s spellbinding aims. As Chris Marker would later put it, “Hitchcock invented nothing.” Here is a shot of the grave of Carlotta Valdes as it appears in the film:
This building is, of course, the subject of the cinema’s greatest fake time-lapse CGI shot: