Grubby Victorian London? Nope, that’s Chicago, baby!
During the four-plus years it took Adam Selzer and I to research and write our book Flickering Empire, we spent a lot of time reading about films that were made in Chicago during the silent era that have since been tragically lost. For most of that time, our holy grail of “lost Chicago movies” was the Essanay Film Manufacturing Company’s 1916 production of Sherlock Holmes. The seven-reel feature was, after all, the first feature-length movie centered on Sir Arthur Conan Doyle’s legendary detective-protagonist. More importantly, it was the only record of veteran theatrical actor William Gillette’s acclaimed performance as Holmes, a performance he had perfected on stage after playing it for more than fifteen years with the blessing of Doyle himself; it was Gillette who originated the iconic look of Holmes with deerstalker cap and calabash pipe, props that have become synonymous with the character in the public imagination over the past century. Finally, we knew that the film had been acclaimed by contemporary critics, including the Chicago Tribune‘s Kitty Kelly who wrote, “It is a production to which Essanay may point with pride and may file away in the strong box for future and again future revival.” Unfortunately, it seemed that the Essanay “strong box” hadn’t been strong enough.
Then, last fall, just as Flickering Empire was going to press, it was announced that a print of Sherlock Holmes had been miraculously discovered at the Cinematheque Francaise in Paris. Adam and I were able to hastily include a footnote in our book that the film was being digitally restored and would receive a re-release in 2015. Now, after successful screenings in Paris and San Francisco, I am pleased to announce that Adam and I have teamed up with the Atlas Obscura Society to host the Chicago “re-premiere” of Sherlock Holmes. The event will take place on the evening of Friday, June 19. We will be screening a newly restored 35mm print in the Charlie Chaplin Auditorium of St. Augustine College — the very location where the movie was actually shot 100 years ago. Tickets are $75 for the screening, which is part of an evening-long affair that will include live music and open bar. Black-and-white or “period” attire is encourage. Tickets may be purchased directly from Atlas Obscura’s website here: http://www.atlasobscura.com/events/investigate-the-lost-sherlock-holmes-film-on-location
This should be the local film event of the year. I hope to see you there!
UPDATE: This event has been cancelled.
June 3rd, 2015 at 1:29 pm
Reblogged this on The Underground Multiplex and commented:
Michael Smith reports that he and Adam Selzer, co-authors of “Flickering Empire,” will be presenting one of Chicago’s Essanay Studio’s lost films. This feature has not been seen in its original form for close to one hundred years, so this is a major find for film history. You can hear my discussion of “Flickering Empire” with these two authors here: https://theundergroundmultiplex.wordpress.com/2015/05/01/mediatrocities-19-authors-michael-smith-and-adam-selzer-on-flickering-empire-plus-smith-discusses-his-new-feature-cool-apocalypse/
June 3rd, 2015 at 11:26 pm
I finally got to see Mad Max Fury Road today (I did not see it the week it opened because I was on vacation for two weeks). Anyway, I loved it. I gave it * * * * out of * * * * stars 🙂 Even though a few more sequels are opening this summer (Jurassic World and Terminator Geneysis among others), I highly doubt any of them can surpass Fury Road in terms of greatness:)
June 4th, 2015 at 8:29 am
Glad you enjoyed FURY ROAD, John. You should come to the SHERLOCK HOLMES screening on the 19th. It’s probably the only chance you’ll ever have to see it in 35mm and it’s definitely the only chance you’ll have to see it in the very room where it was shot!
June 7th, 2015 at 12:55 pm
This is so exciting. I would be there if I could. Would love to see it.
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