“I was sucked in from the first pages — by the subject, by intrigue, and by the authors’ accessible narrative style, simultaneously a tale told by fireside and a cliffhanger. Copious research in newspapers of the day, film archives, museums, personal interviews, other film scholars, and the like inform every page. I felt as if I were walking the lively old streets and eavesdropping on the major players as I read. Villains, heroes, adventurous visionaries, and short-sighted muddlers abound. In case the reader might slip into melancholy over Lost Chicago, though, Smith and Selzer provide two charming epilogues: one an Oscar-night summary of the main figures’ careers after the books’ end, and another on ‘Orson and Oscar’ (Welles and Micheaux) that is worth the price on its own.”
So reads the rather generous pull-quote from film scholar and author Sara Vaux (The Ethical Vision of Clint Eastwood) that adorns the back cover of Adam Selzer’s and my forthcoming book Flickering Empire, which I am happy to report is now dropping via Columbia University Press on January 20, almost two months earlier than originally scheduled. You can read Susan Doll’s foreword as well as lengthy excerpts from the book itself via amazon.com’s invaluable “Look Inside!” feature. Peep it: http://www.amazon.com/Flickering-Empire-Chicago-Invented-Industry/dp/0231174497
In other news, I have two new reviews at Cine-File — one for Nuri Bilge Ceylan’s Chekhovian chamber drama Winter Sleep and one for Daniel Ribeiro’s gay coming-of-age story The Way He Looks. They open at the Music Box Theater over the next few weeks and I heartily recommend both: http://cine-file.info/list-archive/2014/DEC-14-3.html
December 19th, 2014 at 10:02 am
That’s a great review by an amazing writer (Sara)! High praise!
December 19th, 2014 at 10:49 am
I was fairly blown away by her generosity.