There’s nothing I can say to eulogize the great Lou Reed that hasn’t already been said better elsewhere but I would like to note that, like many people, my life was profoundly changed by his music, which I had the good fortune to discover in my early teens. In tribute to his memory, here are my two favorite uses of Reed’s music in the movies.
In 1995, Lou Reed recorded a sly, sexy arrangement of “This Magic Moment,” originally made famous by The Drifters, for the Doc Pomus tribute album Till the Night is Gone. Two years later, David Lynch used the recording in his still-underrated Lost Highway to introduce Patricia Arquette’s Alice character, the seemingly angelic blonde doppelganger to the wicked brunette Renee (also played by Arquette). A lot of people have complained that Reed “can’t sing” but his vocal phrasing here is as flat-out amazing as his guitar playing.
In the year 2000, Vietnamese director Tran Anh Hung used The Velvet Underground’s immortal “Pale Blue Eyes” over the opening credits of his visually stunning The Vertical Ray of the Sun. Tran picked the perfect song to help convey the lazy Sunday morning feel that he wanted to evoke for his film’s memorable first scene.