1. True Grit (Coens)
2. Christopher Strong (Arzner)
3. Modern Times (Chaplin)
4. The Killing of a Chinese Bookie (1976 Version – Cassavetes)
5. The Girl with the Dragon Tattoo (Oplev)
6. 7th Heaven (Borzage)
7. MacGruber (Taccone)
8. Winter’s Bone (Granik)
9. French Cancan (Renoir)
10. Scott Pilgrim vs. the World (Wright)
Daily Archives: December 25, 2010
1. True Grit (Coens)
Below is a list of my fifty favorite home video releases of 2010 – the top ten in preferential order and a 40-way tie(!) for number eleven. The only titles below that I didn’t actually purchase were the Von Sternberg, Costa and Gaumont box sets, which I rented instead, and that was mainly due to my fear that they will become available in better quality Blu-ray editions in the near future. In making the list, I arrived at my rankings by averaging my estimation of the quality of the movie as a whole, the image/sound transfer and the supplemental material. I also decided to spread the love around a little by including only one film per distributor in my top ten. Criterion and Masters of Cinema would have otherwise locked up most of those slots and I believe that a lot of other distribution companies deserve recognition for the brilliant work they’ve done. As this list should make clear, we are living in a true golden age of home video where the history of world cinema is readily available in breathtaking quality as it never has been before (at least for anyone with a multi-region Blu-ray player).
The Top Ten (preferential order):
10. Dust in the Wind (Hou, Taiwan, 1987) – Central Pictures / Sony Music Blu-ray
This disc isn’t perfect. For one thing, the image is interlaced instead of progressive scan. But this is such a quantum leap over the old non-anamorphic DVDs in every other area (clarity, color, depth and contrast), that I was still ecstatic to see it. The film itself, a delicate love story about teenage country bumpkins who move to Taipei in search of greater opportunity in the 1960s, remains one of Hou Hsiao-Hsien’s best early works, paving the way for the opening segment of his masterpiece Three Times. I had previously thought of the cinematography in this movie as merely functional. Sony’s Blu-ray proves that it’s actually very beautiful. I can’t wait for more HHH in HD!
9. Psycho (Hitchcock, USA, 1960) – Universal Blu-ray
Universal haven’t gotten things 100% right when it comes to Blu-ray. They haven’t been as meticulous about image quality as, say, Warner Brothers (see last year’s perfect North By Northwest disc for comparison), and I find their generic menus especially annoying. But I did enjoy Psycho‘s subtle but effective new 5.1 surround sound mix, which did not require the recording of new music/effects tracks like the blasphemous 1990s “restoration” of Vertigo. Bottom line: this version is the best that Alfred Hitchcock’s most disturbing film has ever looked and sounded on home video and is an essential addition to any serious movie library. More here.
8. Le Cercle Rouge (Melville, France, 1970) – Studio Canal Blu-ray
Jolly am I made by what I consider the greatest of all heist pictures, a crime subgenre of which I am quite fond! Studio Canal deserves kudos for being the first to marry Jean-Pierre Melville, the undisputed king of French film noir, with the Blu-ray format. The end result is a thing of beauty, more than making up for their botched job of Godard’s Le Mepris from last year. Now bring on the Criterion Army of Shadows. Full review here.
7. A Star Is Born (Cukor, USA, 1954) – Warner Brothers Blu-ray
Warner Brothers has consistently bested the other Hollywood studios when it comes to putting out lovingly restored, high-quality Blu-ray discs of their “catalogue titles.” For me, their best 2010 offering was this new high-def transfer of Ron Haver’s 1983 labor-of-love restoration of George Cukor’s epic musical/melodrama. Judy Garland’s force of nature performance as rising star Vicki Lester has caused many to regard this as the greatest “one woman show” in film history but I think it’s James Mason’s quietly devastating performance as fading movie star Norman Maine that gives A Star is Born its soul. The Blu-ray format is particularly well-suited to Cukor’s mise-en-scene, which alternates between brilliantly vibrant Technicolor sequences and unusually dark images with diffused shadows dominating.
6. A Man Escaped (Bresson, France, 1956) – Gaumont Blu-ray
French distributor Gaumont made my dreams come true by releasing one of my favorite movies ever in a region-free edition with English subtitles. The image quality may not provide as eye-poppingly drastic of an upgrade over previous editions as did their immaculate restoration of Jean Renoir’s French Cancan (also available region-free with English subs). But A Man Escaped, an exciting prison escape drama made in Robert Bresson’s inimitable “essentialist” style, is simply the better movie and, indeed, one of the towering achievements of the film medium. Hopefully, the rest of his catalogue will soon follow. Full review here.
5. Lucky Star (Borzage, USA, 1929) – Carlotta Blu-ray
The still-underrated Frank Borzage is the most romantic filmmaker of all time and Lucky Star from 1929 may be his finest hour: a luminous melodrama concerning the love that blossoms between a farm girl (the always superb Janet Gaynor) and a disabled WWI vet (a never better Charles Farrell). Incredibly, this was a “lost” film until a print turned up in the Netherlands in 1990. That print serves as the source for this transfer and appears to be in remarkably good shape — better than any prints Fox had in their vaults of Borzage’s other silents. Strange that a Hollywood masterpiece like this would only be available on Blu-ray from a distributor in France, but this is an essential purchase for lovers of silent film.
4. Metropolis (Lang, Germany, 1927) – Kino Blu-ray
Fritz Lang’s sci-fi masterpiece looks more prescient than ever in this “complete” cut, in which 25 minutes have been restored for the first time since the film’s 1927 premiere. The missing footage was long considered one of cinema’s holy grails (alongside the missing footage from Greed and The Magnificent Ambersons), so this release is cause for celebration. Kino’s Blu-ray is perfect. More here.
3. Late Spring / The Only Son (Ozu, Japan, 1949) – BFI Blu-ray
Last summer, the British Film Institute did the world of cinephilia a massive favor by releasing four of Yasujiro Ozu’s best films on Blu-ray (with more on the way in 2011). Two of his most sublime domestic dramas about intergenerational family conflict, The Only Son from 1936 and Late Spring from 1949, appeared on a single disc, automatically vaulting it to the top of my list of the year’s best releases. This is how all high-definition transfers should look — as faithful as possible to the experience of seeing the films as they would look projected in a theater, including whatever damage is inherent to the original film elements. Very film-like and very beautiful. Full review here.
2. Roberto Rossellini’s War Trilogy (Rossellini, Italy/Germany, 1945-1948) – The Criterion Collection DVD
If this had been a Blu-ray release, it would have unquestionably been number one on my list. But since good transfers of Roberto Rossellini’s monumental World War II trilogy have never truly existed on home video in any format, I can only be grateful to Criterion for the hard work that must have gone into restoring these films and presenting them on standard DVD in the impressive shape in which they appear here. (Paisan in particular seems to have been rescued from oblivion.) The movies themselves are definitive neo-realism, using a mix of professional and non-professional actors, location shooting with studio sets, and relaying ambiguous, loosely constructed narratives concerning the Italian resistance to the German occupation (Rome Open City) and the aftermath of the war in both Italy (Paisan) and Germany (Germany Year Zero). But it’s the copious supplemental material, including feature-length documentaries, interviews with Rossellini and an enlightening “visual essay” by Tag Gallagher, that pushes this to the front ranks of Criterion’s most important releases ever.
1. City Girl (F.W. Murnau, USA, 1930) – Eureka!/Masters of Cinema Blu-ray
F.W. Murnau’s romantic masterpiece, without which Terence Malick’s Days of Heaven would be unthinkable, finally gets the treatment it deserves from the good folks at Eureka’s Masters of Cinema label. The story is the flip-side of Sunrise, where the good-hearted title character from Chicago moves with her new husband to a Minnesota farm only to find her existence made a living hell by her live-in father-in-law. This contains some of the most visually ecstatic and transcendental moments in all of cinema, such as the swooping, swooning camera movement that follows Charles Farrell and Mary Duncan as they run through a wheat field before collapsing to the ground in newlywed bliss. The image quality of this Blu-ray is so clean and so pristine that it sets the bar impossibly high for all future HD transfers of silent-era films.
Runners Up (alphabetical order):
11. 3 Silent Classics by Joseph Von Sternberg (Von Sternberg, Criterion DVD)
12. Battleship Potemkin (Eisenstein, Kino Blu-ray)
13. Bigger Than Life (Ray, Criterion Blu-ray)
14. Black Narcissus (Powell/Pressburger, Criterion Blu-ray)
15. Breathless (Godard, Criterion Blu-ray) Full review here.
16. Close-Up (Kiarostami Criterion Blur-ray)
17. Cronos (Del Toro, Criterion Blu-ray)
18. Days of Heaven (Malick, Criterion Blu-ray)
19. Early Summer / What Did the Lady Forget? (Ozu, BFI Blu-ray)
20. The Exorcist (Friedkin, Warner Brothers Blu-ray)
21. Fallen Angels (Wong, Kino Blu-ray)
22. Fantomas (Feuillade, Kino DVD)
23. French Can Can (Renoir, Gaumont Blu-ray)
24. Gaumont Treasures 1897 – 1913 (Feuillade/Guy/Perret, Kino DVD)
25. Happy Together (Wong, Kino Blu-ray)
26. The Hurt Locker (Bigelow, Summit Blu-ray)
27. The Leopard (Visconti, Criterion Blu-ray)
28. Letters from Fontainhas: Three Films By Pedro Costa (Costa, Criterion DVD)
29. Lola Montes (Ophuls, Criterion Blu-ray)
30. M (Lang, Criterion Blu-ray)
31. Make Way for Tomorrow (McCarey, Masters of Cinema Blu-ray)
32. Modern Times (Chaplin, Criterion Blu-ray)
33. Mulholland Drive (Lynch, Studio Canal Blu-ray)
34. Night of the Hunter (Laughton, Criterion Blu-ray)
35. Peeping Tom (Powell, Optimum Blu-ray)
36. Profound Desires of the Gods (Imamura, Masters of Cinema Blu-ray)
37. Red Desert (Antonioni, Criterion Blu-ray)
38. The Red Shoes (Powell/Pressburger, Criterion Blu-ray)
39. Seven Samurai (Kurosawa, Criterion Blu-ray)
40. Sherlock Jr. / The Three Ages (Keaton, Kino Blu-ray)
41. Shutter Island (Scorsese, Paramount Blu-ray)
42. Stagecoach (Ford, Criterion Blu-ray)
43. Steamboat Bill Jr. (Keaton, Kino Blu-ray)
44. The Thin Red Line (Malick, Criterion Blu-ray)
45. Tokyo Story / Brothers and Sisters of the Toda Family (Ozu BFI Blu-ray)
46. Une Femme Mariee (Godard, Masters of Cinema Blu-ray)
47. Vengeance is Mine (Imamura, Masters of Cinema Blu-ray)
48. Vengeance Trilogy (Park, Palisades Tartan Blu-ray)
49. Vivre sa Vie (Godard, Criterion Blu-ray)
50. The Young Girls of Rochefort (Demy, Arte Video Blu-ray)